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Chime / CHROMA, in situ
Chime / CHROMA, in situ
Chime / CHROMA, in situ
Chime / CHROMA, in situ
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Chime / CHROMA - Limited Edition of 12 Photograph

Chuck Elliott

United Kingdom

Photography, C-type on Paper

Size: 47.3 W x 36.8 H x 2 D in

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$4,800USD

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link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

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About The Artwork

Chime is a C type photographic image, printed on Fuji metallic paper, and Diasec mounted between clear Plexiglass and DiBond. It’s then fitted with a bespoke laser cut grey Perspex frame. .. Chime is the first study I made whose primary concern shifts from the volumes within a given space, to the lines defining those volumes. The drawing is double exposed, in such a way that there are both white highlight lines and darker shadow lines, reversed through the neg. The intention was to create a study that is as much about the line as it is about sculpting form. Much of the work I’m making is intended to explore and unpack ideas surrounding the power of the haptic or gestural mark, how it works, who can use it, and how to harness the energy it can create within the picture plane. The volumes themselves are, of course, simple cylindrical forms, much like bar chimes, and can be viewed as a rhythmic homage to the first techno track to enter the charts in 1990, Orbital’s seminal Chime. The whole project continues to riff on ideas more typically encapsulated by contemporary music production, editing, overlaying, remixing and so on. An electronic continuum of the myriad ways in which music and visual abstraction have become intertwined over the past century or so.

Details & Dimensions

Photography:C-type on Paper

Artist Produced Limited Edition of:12

Size:47.3 W x 36.8 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Chuck Elliott (b. 1967, London) is a pioneer of digitally generated art. He claims to have used the first Apple Macintosh imported to the UK in 1984, the same year Apple launched the computers, with their now infamous Orwellian advertising campaign. Acquiring his own machine in 1989, he has been drawing, sculpting, editing and compositing digitally ever since. Graduating in 1992, he founded a succession of small, successful studios in London. In 2005 he moved to Bristol, where he now works full time on his sublime, fluid studies in light, colour, motion and liquid geometry. Delighting in the machines' ability to hone and craft sculptural drawings, render, edit, mix, cut, paste, sculpt, and re edit, colour spaces are manipulated, light levels finely tuned, and a myriad of images and series of derivations are produced, using processes analogous to the way in which modern music is realised. Chuck Elliott is reinterpreting the essence of abstract fine art print making for the digital age. Pure logical progression.

Artist Recognition

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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