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"Choose your team wisely." Photograph - Limited Edition of 10

Tina Sturzenegger, Switzerland

Photography, Digital on Paper

15.7 W x 23.6 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

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$1,488

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

A society obsessed with always having the latest, always looking for the latest, always wanting to be exceptional... and the most important - to follow every technological trend. I'm right there with you. With my new series, Cats, I play with the new technological possibilities and make the border ...

Year Created:

2023

Subject:
Mediums:

Photography, Digital on Paper

Rarity:

Limited Edition of 10

Size:

15.7 W x 23.6 H x 0.4 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Switzerland.

Need more information?

Need more information?

My work explores the grotesque beauty of modern contradiction: the friction between our pursuit of "purity" and our surrender to "guilty pleasures." We cleanse crystals while chain-smoking; we chase eternal health while consuming high-calorie thrills. I capture this tension—the longing for control in a world of seductive excess. I treat food not as sustenance, but as a cultural marker of identity, status, and hope. By using animals—rabbits, cats, or mice—as symbolic proxies, I project human aspirations onto non-human bodies, questioning how we construct our ideals of happiness and the "perfect" self. My compositions borrow the saturated, glossy visual language of 1970s and 80s advertising. I deliberately exaggerate these "perfect" worlds to expose their manipulative nature. The retro aesthetic serves as a mirror, reflecting how contemporary self-staging is often a repeat of past illusions. My practice is defined by total autonomy. For the past five years, I have acted as art director, stylist, photographer, and high-end retoucher for every piece. This absolute control over the creative process is a conceptual echo of the very perfectionism I critique: a staged reality, meticulously crafted to investigate the promises we choose to believe.

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