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Cobb Hall Lamp, UChicago - Limited Edition 2 of 50 Photograph

Leon Sarantos

United States

Photography, Color on Paper

Size: 23 W x 32 H x 1 D in

Ships in a Tube

$198

Shipping included

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257 Views

15

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This manipulated art photo is of a lamp with ivy at Cobb Hall, which is on the Main Quadrangle at the University of Chicago. Cobb Hall was designed by architect Henry Ives Cobb, and is the oldest building on campus. Cobb modeled his designs after the Gothic style of architecture at Oxford in Engla...

Year Created:

2012

Subject:
Mediums:

Photography, Color on Paper

Rarity:

Limited Edition of 1

Size:

23 W x 32 H x 1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Need more information?

Leon Sarantos graduated from the College of Arts and Architecture at the University of Michigan. Mr. Sarantos is an architect, as well as an artist. Continuing Studies Art Institute of Chicago, figure painting. Hyde Park Art Center, oil painting, portraits, independent study with Darrell Roberts. Represented by Union Street Gallery, Chicago Heights, Illinois; Paul Henry's Art Gallery, Hammond, Indiana; CornerStone Art Gallery, Whiting, Indiana; Xanadu Gallery, Scottsdale, Arizona. Member: Union Street Gallery Guild; Artsia: The Society of International Artists; 119th Street Artists; Studio 659. Listed in Art World Chicago: Online Art Gallery: Chicago Painters, Chicago Photographers. Artist Statement: A Love Affair With Colors. I use color as a driving force to create art that is recognizable to the viewer, yet abstracted from a literal representation. This interplay of abstraction and realism in my art is akin to abstract realism. In this approach, I find inspiration in the art of Milton Avery. In carving out the elements of the painting, I use strong dark lines to give the art movement and delineate the objects portrayed. For added visual variety and movement, I graduate the values from very light to dark moving across the canvas. These contrasting color values offer borders and outlines to explore, similar to catching a look at an image in shade or direct sunlight, adjacent but distinct. Often, I layer one color over another, letting each layer peek through and add its contribution. Small, quick dashes of high-key colors dance across the painting for subtle stimulation and movement. I often paint using realistic techniques: lighting, perspective, and modeling. My manner of paint application, though, creates a contemporary feel to the finished work by using flattened objects, textures, partial overlays of color, and strong, carved out shapes. My art presents the interplay between abstraction and realism across genres including figurative art, cityscapes of Chicago scenes, and landscapes, as well as still life paintings. My recent digital art series also explores the interplay of representational photography with digital transformations that present a more abstract view.

Artist Recognition
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