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FLOW Flood 68 - Limited Edition 3 of 25 Photograph

Geoff Dunlop

United Kingdom

Photography, Digital on Paper

Size: 65 W x 29.5 H x 0.4 D in

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ABOUT THE ARTWORK

In a limited edition of 25. If you prefer an alternative print size, I am happy to organise this - at a cost proportionate to the one posted here. I can also arrange aluminium or dibond mountings at an appropriate price. Where I live in South-West England the rivers break their banks each winter. This is why the county is called Somerset – the Land of the Summer People. In generations past, it was always too sodden in winter to sustain human habitation. In recent centuries technology was introduced to subdue and shape this natural process of annual inundation, and the floods were held back for a while. But now humankind’s attempts to control nature have, once again, been giving way to larger forces. To some people these annual floods represent devastation, while others welcome them as representing a new level of nature's creativity. These winter floods bring amazing diversity with them – diversity of species and environment, and also extraordinary visual diversity. Further evidence of our confused and troubled relationship with the nature that most closely surrounds us.

DETAILS AND DIMENSIONS
Photography:

Digital on Paper

Artist Produced Limited Edition of:

2

Size:

65 W x 29.5 H x 0.4 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

ARTIST CURATOR. I work as an artist curator, minus the hyphen. I attempt to balance both roles: seeking the concentration and focus of making images, objects and installations that are directed at the individual viewer; embracing the collaborative and enabling task of shaping exhibitions and events that are created in the company of others. As an artist, I work invariably with a high definition camera, but my intention is to reach beyond the image - towards the making of an effective and affective object, perhaps even an experience. Inevitably, this leads me to explore both materials and the immaterial, scale and the use of space. As well printing on art paper, I print onto aluminium, acetate and fabric, especially linen and cotton. When appropriate, I like to let the prints hang freely, unmounted and unframed, so they can respond reflexively to movements in the air. And I use translucency to animate the prints further, as they alter their appearance in response to changes in the light. Although these frequently large prints are at the centre of my output, recent exhibitions have included video projections, sound installations and handmade books, or booklike objects. Making books as been an interest for a long time, but now it is moving towards the centre of my output, as a complement to the translucent prints As a curator, I seek to create exhibitions that both generate and contribute to conversations, that cross boundaries and widen horizons. In addition to visual artists, my exhibitions often include contributions from performers, using movement, music, words and ideas. At present I am getting great pleasure from working with poets. I think poetry and visual art -both of them elusive and allusive media- can become great companions.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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