43 Views
3
View In My Room
Photography, Digital on Paper
Size: 15.7 W x 15.7 H x 0.1 D in
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43 Views
3
What does it mean to "see the light"? Is it even possible? The moment when I saw the back of a sculpture cut with shadows through a museum window is a direct interpretation of the reflection on the key role of light in the production of an object. Light as a parergon (as Mieke Bal puts it after Derrida), something marginal, yet necessary for the object's visibility to be established. The subject of the "Figures" series is light as a creator of the spectacle voyeuristically watched by me from behind the window and played out between the visible and the invisible, the space of the spectator "behind the image" and the place of existence of the object, trapped "in the image". As in many of my works, I use the black and white medium to transmediate with the aesthetics of modernist photography and neo-noire cinema (vide "Figure No. 42", "Figure No. 94") (ml). Collector's photography, b / w Digital print on Hahnemühle Photo Rag Baryta 315g (semi-flash), archival paper, acid-free reference number on the front and reverse Certificate of Authenticity.
Digital on Paper
5
15.7 W x 15.7 H x 0.1 D in
Not Framed
Not applicable
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Poland.
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historian and art critic, PhD, associate professor, academic lecturer, specializing in visual culture in a transdisciplinary perspective. Author of the 10th district and the center of historical and critical studies. Awarded with the Gloria Artis Medal of the Minister of Culture and Heritage of the Republic of Poland for merits to culture (2014). Parallel to his scientific work, he practices photography-art. She has been exhibiting since 2010. She has participated in over 50 exhibitions in Poland and abroad, and receives many awards and distinctions,
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