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FLOW Arcadia 1792 - Limited Edition 1 of 10 Photograph

Geoff Dunlop

United Kingdom

Photography, Digital on Paper

Size: 78.7 W x 78.7 H x 0.4 D in

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About The Artwork

Most of my work as an artist is produced with a camera, yet I seek to generate the emotional intensity of painting. Intentionally, my images slip and slide between depiction and abstraction, although I prefer the word concentration ... implying the invisible processes contained within or beyond the visible. The source material for this image was discovered in one of England's classical landscapes gardens, an invented Arcadia intended to bring to life the paintings of the European Renaissance. These, in turn, were intended to evoke the idealised vision of ancient Greece and Rome. I follow on in this tradition of reinvention, acknowledging also the afffect on me of the contemporary painters Twombly and Richter. The image can be supplied on photorag art paper or on linen fabric or translucent acetate. The latter two materials will allow the collector to place the picture in front of a light source, natural or artificial, so that the image glows and fades in the constantly changing light. Other sizes are available on request - at proportionate prices. The high resolution of the original will allow for a print of up to 300cm x 300cm.. Of course, smaller print sizes are available as well.

Details & Dimensions

Photography:Digital on Paper

Artist Produced Limited Edition of:1

Size:78.7 W x 78.7 H x 0.4 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

ARTIST CURATOR. I work as an artist curator, minus the hyphen. I attempt to balance both roles: seeking the concentration and focus of making images, objects and installations that are directed at the individual viewer; embracing the collaborative and enabling task of shaping exhibitions and events that are created in the company of others. As an artist, I work invariably with a high definition camera, but my intention is to reach beyond the image - towards the making of an effective and affective object, perhaps even an experience. Inevitably, this leads me to explore both materials and the immaterial, scale and the use of space. As well printing on art paper, I print onto aluminium, acetate and fabric, especially linen and cotton. When appropriate, I like to let the prints hang freely, unmounted and unframed, so they can respond reflexively to movements in the air. And I use translucency to animate the prints further, as they alter their appearance in response to changes in the light. Although these frequently large prints are at the centre of my output, recent exhibitions have included video projections, sound installations and handmade books, or booklike objects. Making books as been an interest for a long time, but now it is moving towards the centre of my output, as a complement to the translucent prints As a curator, I seek to create exhibitions that both generate and contribute to conversations, that cross boundaries and widen horizons. In addition to visual artists, my exhibitions often include contributions from performers, using movement, music, words and ideas. At present I am getting great pleasure from working with poets. I think poetry and visual art -both of them elusive and allusive media- can become great companions.

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