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VIEW IN MY ROOM

Fluid approaches, moving touch Photograph

Sabine Kussmaul

United Kingdom

Photography, cyanotype on Canvas

Size: 44.5 W x 44.5 H x 2 D in

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Originally listed for $1,310
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About The Artwork

Movement and change between the touching and exploring, creating something new and gaining new insight.... I like to make pictures that have a fragmentary nature, that have the element of the unfinished. In that sense, “communication” between one picture and the other starts to happen, and the viewer needs to become involved to “round it up” and create his/her own (or at least temporary) view and interpretation. These four pieces are canvasses, that have part of photographic images (made with the cyanotype technique) on fabric sewn on. The images show parts of hands doing things...exploring an insect, moving on a guitar's neck. The sewing process (of attaching the photographic images onto the canvas) becomes quite evident because the stitches are quite apparent and threads a left to hang where the sewing ended. Each canvas is framed individually in a wooden white baguette frame. All four pieces can be hung in any way imaginable but they work well on top and next to each other or in one horizontal or vertical row.

Details & Dimensions

Photography:cyanotype on Canvas

Original:One-of-a-kind Artwork

Size:44.5 W x 44.5 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Sabine is a visual artist who lives close to Manchester, United Kingdom. She grew up in the Black Forest in Southern Germany and studied Fashion & Design in Pforzheim, Paris and New York. After years of work in Illustation, as a Fashion free-lancer and in teaching, she is now only producing her own artwork. "I am fascinated how our worlds and our experiences can be documented with images and how images can create new worlds in their own right. How can life's manifestations - feelings, knowledge, memories, discoveries in science, change in nature and mind - be captured through visual patterns, textures, traces? " Sabine's largest, ever-lasting inspiration is the overly complex weave of life as leaves its own traces and textures on the Earth's surface, like patterns of hoof-prints in the snow, geological sediments in the ground, drying marks of rain drops on a glass plane, and as it exists in our mind's eye, as images seen and remembered and knowledge stored. "When I am making a two-dimensional picture", if feels like using a canvas as a net to "go fishing" in the "big weave of life", capturing some small fragment of the larger context. " That is why Sabine creates mulit-layered pictures. Some of her work has a painting with acrylic on canvas in the background and a drawing with lines and thread suspended in front of it. The final image will only come together in the viewers eye. Or, she paints on semi-transparent screens that are again hung at a short distance in front of a canvas. Some of her pictures have an additional layer of steel suspended at the front.

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