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Footprints on the Moon - Limited Edition of 15 Photograph

Carlos Canet Fortea

Spain

Photography, Color on Paper

Size: 39.3 W x 27.9 H x 0.1 D in

Ships in a Tube

$1,850

Shipping included

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38

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Footprints is a real image in which the sand and its drawings seem to play with the shadow. It is a work printed on Hahnnemüle museum quality paper, in an edition of 10 copies, signed and numbered. The indicated size is that of the stain on the paper. The print includes a white margin of 1,9 inches ...

Year Created:

2019

Subject:
Medium:

Photography, Color on Paper

Rarity:

Limited Edition of 10

Size:

39.3 W x 27.9 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Spain.

Customs:

Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

The transformation and evolution of nature are central themes in my work. The observation of a natural space and its subsequent transformation produces new emotions and new perspectives. My most recent work raises future natural spaces, based on observation and two central axes: the transformation of nature by human action and the evolution of climatic phenomena. Starting from decontextualized photographic images, I propose the vision of landscapes where, fictionally, new technologies partially replace the real world. In the same way that nature is continuously transformed by elements contributed by man, in my images I introduce elements that alter landscapes, in order to create representations of new -future- natural spaces. The elements that I use are usually other photographs, as a collage, and compact digital masses of color, which work as a contribution to the landscape, and that decontextualize the original image. The use of these abstract and non-photographic masses of digital color makes the images have a new meaning, and require a new reading and identification on the part of the viewer. I like to break the limits of photography and create images that conceptualize abstraction and digital media as part of the natural landscape. These works invite the viewer to identify them with familiar climatic phenomena and landscapes: cloudy skies, the beach, a storm, mountains, a swimming pool, fire, winter, etc. In this way, I want the viewer to react to an invented natural space, and this remains in his memory as a place he has already visited. and/or

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Featured in the Catalog

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