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View In My Room
Photography, Polaroid on Other
Size: 7.9 W x 9.4 H x 0.1 D in
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434 Views
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Featured in the Catalog
Showed at the The Other Art Fair
Artist featured in a collection
Forgiveness Then (Sidewinder) - 2005, 24x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and Certificate. Artist Inventory No. 3364. Not mounted. SIDEWINDER So Still. She holds her head so still. For he to lay his hand. But carefully. And who will understand you now Stevie? Now that theres no order to the words. She holds her head for him. The hands of John Baptiste. They do not speak again with words. This wind alone across the desert flat. The bending trees. And hear the Airstream ache. She doesn’t cry for him these days. In front of him. He holds her head. And still. And stillness for her mouth. If she could learn to say it once again. The upper lip, a tremble. Like it was the first try. Forgiveness then. Just open your mouth a little, for to whisper. She need not move. And still. And with the trailer sway, so soft upon her now, he listens. See his hand? For they to hold on carefully. As does the mother. The way the baby moans for milk. (JD Rudometkin)
2005
Polaroid on Other
10
7.9 W x 9.4 H x 0.1 D in
Not Framed
No
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Stefanie Schneider lives and works in the High Desert of California. Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters. Schneider works with chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dream-scapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction. She is currently working on the 29 PALMS, CA. 29 PALMS, CA is a feature film / art piece that explores and chronicles the dreams and fantasies of a group of individuals who live in a trailer community in the Californian desert. A defining feature of the film is the use of still images and the use of voice over. Characters talk to us / themselves / you about their ambitions, memories, hopes, fears and dreams. The film is to be shot using a mix of super 8 and 16mm film stock and Polaroid images. Certain computer-generated effects will also be used to enhance the films surreal mood and to animate its dark humor. Radha Mitchell, Marc Forster, Udo Kier, Max Sharam among others are participating in the project. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles.
Featured in Saatchi Art's printed catalog, sent to thousands of art collectors
Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles
Artist featured by Saatchi Art in a collection
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