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Galerie Zink, Munich
Galerie Zink, Munich
Frozen (Stranger than Paradise), 2001, Edition 2/5 16 pieces, 48 x 47 cm each, 2.20 x 2.20 cm installed. Analog C-Prints, hand-printed by the artist, based on 16 expired original Polaroids. Signature label and Certificate. Artist Inventory 339.02. Mounted on Aluminum with matte UV-Protection. Installation shots Galerie Zink, Munich. Please allow 3 weeks production time for the mounting. Edition 3/5 is also available unmounted. Stefanie Schneider, Galerie Michael Zink , Munich Review by Sabine Dorothée Lehner in Flash Art, May / June 2002. p.138 Stefanie Schneider's new photographic works tell disturbing stories about her adopted Californian home. She seeks out faded American myths and distils auratically charged reality in a very personal and surprising way. She uses out-of-date Polaroid film, and the blemishes caused by the degenerated film stock, - are included in the composition in a painterly way. Exposure mistakes and low budget movie effects are combined to alienating effect. Everything shimmers and flickers before our eyes. The artist plays with the authentic poetry of the amateur, mixing strangely dreamy staging with random photochemical events. In the 16-part work Frozen, which is characterized by a strangely transcendent mood in the lighting, film-still-like pictorial clusters come together to form a mysterious story, with the artist herself as the lonely protagonist. the aesthetic is reminiscent of early Lynch films. The components of the elliptically choreographed events are scenes from an enchanted, gleaming winter landscape, together with "staged snapshots" of a pale young woman in her underskirts, who radiates the troubled reality of a mirage with her sleep walking presence. The story is presented in the manner of cinematic flashbacks or dream sequences. Stage blood and a knife are used to evoke a crime of passion whose surreal attractiveness is derived from the scenic openess of what is shown. The deliberate use of old instant picture stock establishes in a richly faceted way the ephemeral quality of vulnerability and transience within a reality that is brittle from the outset. The American Stars and Stripes, recently updated as the absolute epitome of a patriotic signifier, is the subject of the 9-part work Primary Colors (2001). Schneider's reassuringly European view, free of undue emotion, presents the Stars and Stripes motif in a strangley alienated form: she shows stills with phases of fluttering violently in the wind, even torn in some cases, and the poor film stock emphazises the fragility of the icon even more. (translated from German by Michael Robinson)
Frozen (Stranger than Paradise), 2001, Edition 2/5 16 pieces, 48 x 47 cm each, 2.20 x 2.20 cm installed. Analog C-Prints, hand-printed by the artist, based on 16 expired original Polaroids. Signature label and Certificate. Artist Inventory 339.02. Mounted on Aluminum with matte UV-Protection. Installation shots Galerie Zink, Munich. Please allow 3 weeks production time for the mounting. Edition 3/5 is also available unmounted. Stefanie Schneider, Galerie Michael Zink , Munich Review by Sabine Dorothée Lehner in Flash Art, May / June 2002. p.138 Stefanie Schneider's new photographic works tell disturbing stories about her adopted Californian home. She seeks out faded American myths and distils auratically charged reality in a very personal and surprising way. She uses out-of-date Polaroid film, and the blemishes caused by the degenerated film stock, - are included in the composition in a painterly way. Exposure mistakes and low budget movie effects are combined to alienating effect. Everything shimmers and flickers before our eyes. The artist plays with the authentic poetry of the amateur, mixing strangely dreamy staging with random photochemical events. In the 16-part work Frozen, which is characterized by a strangely transcendent mood in the lighting, film-still-like pictorial clusters come together to form a mysterious story, with the artist herself as the lonely protagonist. the aesthetic is reminiscent of early Lynch films. The components of the elliptically choreographed events are scenes from an enchanted, gleaming winter landscape, together with "staged snapshots" of a pale young woman in her underskirts, who radiates the troubled reality of a mirage with her sleep walking presence. The story is presented in the manner of cinematic flashbacks or dream sequences. Stage blood and a knife are used to evoke a crime of passion whose surreal attractiveness is derived from the scenic openess of what is shown. The deliberate use of old instant picture stock establishes in a richly faceted way the ephemeral quality of vulnerability and transience within a reality that is brittle from the outset. The American Stars and Stripes, recently updated as the absolute epitome of a patriotic signifier, is the subject of the 9-part work Primary Colors (2001). Schneider's reassuringly European view, free of undue emotion, presents the Stars and Stripes motif in a strangley alienated form: she shows stills with phases of fluttering violently in the wind, even torn in some cases, and the poor film stock emphazises the fragility of the icon even more. (translated from German by Michael Robinson)
Frozen (Stranger than Paradise), 2001, Edition 2/5 16 pieces, 48 x 47 cm each, 2.20 x 2.20 cm installed. Analog C-Prints, hand-printed by the artist, based on 16 expired original Polaroids. Signature label and Certificate. Artist Inventory 339.02. Mounted on Aluminum with matte UV-Protection. Installation shots Galerie Zink, Munich. Please allow 3 weeks production time for the mounting. Edition 3/5 is also available unmounted. Stefanie Schneider, Galerie Michael Zink , Munich Review by Sabine Dorothée Lehner in Flash Art, May / June 2002. p.138 Stefanie Schneider's new photographic works tell disturbing stories about her adopted Californian home. She seeks out faded American myths and distils auratically charged reality in a very personal and surprising way. She uses out-of-date Polaroid film, and the blemishes caused by the degenerated film stock, - are included in the composition in a painterly way. Exposure mistakes and low budget movie effects are combined to alienating effect. Everything shimmers and flickers before our eyes. The artist plays with the authentic poetry of the amateur, mixing strangely dreamy staging with random photochemical events. In the 16-part work Frozen, which is characterized by a strangely transcendent mood in the lighting, film-still-like pictorial clusters come together to form a mysterious story, with the artist herself as the lonely protagonist. the aesthetic is reminiscent of early Lynch films. The components of the elliptically choreographed events are scenes from an enchanted, gleaming winter landscape, together with "staged snapshots" of a pale young woman in her underskirts, who radiates the troubled reality of a mirage with her sleep walking presence. The story is presented in the manner of cinematic flashbacks or dream sequences. Stage blood and a knife are used to evoke a crime of passion whose surreal attractiveness is derived from the scenic openess of what is shown. The deliberate use of old instant picture stock establishes in a richly faceted way the ephemeral quality of vulnerability and transience within a reality that is brittle from the outset. The American Stars and Stripes, recently updated as the absolute epitome of a patriotic signifier, is the subject of the 9-part work Primary Colors (2001). Schneider's reassuringly European view, free of undue emotion, presents the Stars and Stripes motif in a strangley alienated form: she shows stills with phases of fluttering violently in the wind, even torn in some cases, and the poor film stock emphazises the fragility of the icon even more. (translated from German by Michael Robinson)
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Frozen (Stranger than Paradise) - Limited Edition of 5 Photograph

Stefanie Schneider

United States

Photography, Polaroid on Aluminium

Size: 86 W x 86 H x 0.1 D in

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$27,000

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About The Artwork

Frozen (Stranger than Paradise), 2001, Edition 2/5 16 pieces, 48 x 47 cm each, 2.20 x 2.20 cm installed. Analog C-Prints, hand-printed by the artist, based on 16 expired original Polaroids. Signature label and Certificate. Artist Inventory 339.02. Mounted on Aluminum with matte UV-Protection. Installation shots Galerie Zink, Munich. Please allow 3 weeks production time for the mounting. Edition 3/5 is also available unmounted. Stefanie Schneider, Galerie Michael Zink , Munich Review by Sabine Dorothée Lehner in Flash Art, May / June 2002. p.138 Stefanie Schneider's new photographic works tell disturbing stories about her adopted Californian home. She seeks out faded American myths and distils auratically charged reality in a very personal and surprising way. She uses out-of-date Polaroid film, and the blemishes caused by the degenerated film stock, - are included in the composition in a painterly way. Exposure mistakes and low budget movie effects are combined to alienating effect. Everything shimmers and flickers before our eyes. The artist plays with the authentic poetry of the amateur, mixing strangely dreamy staging with random photochemical events. In the 16-part work Frozen, which is characterized by a strangely transcendent mood in the lighting, film-still-like pictorial clusters come together to form a mysterious story, with the artist herself as the lonely protagonist. the aesthetic is reminiscent of early Lynch films. The components of the elliptically choreographed events are scenes from an enchanted, gleaming winter landscape, together with "staged snapshots" of a pale young woman in her underskirts, who radiates the troubled reality of a mirage with her sleep walking presence. The story is presented in the manner of cinematic flashbacks or dream sequences. Stage blood and a knife are used to evoke a crime of passion whose surreal attractiveness is derived from the scenic openess of what is shown. The deliberate use of old instant picture stock establishes in a richly faceted way the ephemeral quality of vulnerability and transience within a reality that is brittle from the outset. The American Stars and Stripes, recently updated as the absolute epitome of a patriotic signifier, is the subject of the 9-part work Primary Colors (2001). Schneider's reassuringly European view, free of undue emotion, presents the Stars and Stripes motif in a strangley alienated form: she shows stills with phases of fluttering violently in the wind, even torn in some cases, and the poor film stock emphazises the fragility of the icon even more. (translated from German by Michael Robinson)

Details & Dimensions

Multi-paneled Photography:Polaroid on Aluminium

Artist Produced Limited Edition of:5

Size:86 W x 86 H x 0.1 D in

Number of Panels:2

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Stefanie Schneider lives and works in the High Desert of California. Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters. Schneider works with chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dream-scapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction. She is currently working on the 29 PALMS, CA. 29 PALMS, CA is a feature film / art piece that explores and chronicles the dreams and fantasies of a group of individuals who live in a trailer community in the Californian desert. A defining feature of the film is the use of still images and the use of voice over. Characters talk to us / themselves / you about their ambitions, memories, hopes, fears and dreams. The film is to be shot using a mix of super 8 and 16mm film stock and Polaroid images. Certain computer-generated effects will also be used to enhance the films surreal mood and to animate its dark humor. Radha Mitchell, Marc Forster, Udo Kier, Max Sharam among others are participating in the project. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles.

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