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Gambalunga appesa bn Photograph

Sara Zamperlin

Italy

Photography, Black & White on Other

Size: 6 W x 8 H x 0.1 D in

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About The Artwork

Dolls inanimate objects with human features that she stereotypes and reproduces in series. “Bambole” ( = ‘Dolls’) However, these banal, childlike objects evoke in us intense feelings. All of a sudden, we recall past moments of life, tears, laughter … What if what we love holds back a bit of our essence? Everybody changes and leaves a mark on everything they touch. These are the signs that Sara Z. wants to go through, to let them reveal their own story. The choice of a doll is never simply guided by its exterior aspect, but it is a meticulous search in the markets, the junk shops, the homes of friends and acquaintances. Real emotions guided us along the search. Emotions of other people who hugged, kissed, mistreated or loved their toy. Photography is Sara’s favourite means to let come out what the eye cannot see. Thanks to the filter of the camera it becomes possible to slash the veil of the exterior appearance. The Dolls are transformed into living protagonists. The photos reproduce perfect, glossy images: very white background, sharp, direct, intense lights, no shadows, saturated, brilliant colours Reality emerges only through the bodies that appear to be curved, slumped on themselves, hanging or unnaturally twisted. Sara Z. ‘s art constantly focuses on what appearance hides, which must be found by digging deeply. If with the series “Anime” this happened during the installation process with “Bambole” it is a sort of physical process. Sara uses acids to corrode the photographic print and set free what is beyond the simulated perfection. Emotions come out and become visible to our eyes. As in real life people’s reactions are never completely predictable and replicable, in the same way the acid reaction cannot be ‘controlled’ : each work is different from any other. Although they all derive from the same photograph, the emotions that are expressed are unique. Sara relies then on painting for the last delicate step: her brush guides and tames the smudges making them a pulsating atmosphere. There is no childhood light heartedness in Sara’s Dolls. Her works encourage us once again to look inside ourselves. They lead us to question ourselves about our feeling, to ask why, after so many years, a little pile of lifeless material still inspires us … in which, perhaps, we recognize a soul … our soul.

Details & Dimensions

Photography:Black & White on Other

Original:One-of-a-kind Artwork

Size:6 W x 8 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

“Since I was a child I have never been able to bear perfection…” “I offer part of my very being to the other person and as I paint that person I relive their life with such intensity that the picture no longer appears static and instead speaks to the deepest part of me in quite an amazing way. I like talking to people, getting to know them, and taking part of them away with me. And if I find in them a desire to break out of normality and to really rise to that challenge with all their being, then they become by necessity an integral part of my work.” Being Sara Zamperlin means being born in a hamlet of Legnago, called Porto, beyond the River Adige. Or over here. It depends on your point of view. It means being the daughter of two art lovers: my father, a carpenter always busy fashioning objects with his hands, and passionate about photography; my mother, a devourer of books. Both quick to grasp my bent for drawing. So much so that I managed to enroll on Signora Nelda’s adults-only course. I was 7 years old. I still remember the workshop’s rooms: the first one where one did drawing from life in pencil. The second, the one for oil painting, where only those who had reached a certain level were allowed. Its smell, the creaking of the door, the “hair-bun” – all are still there in my mind. It was then that I realized that I would become a painter when I grew up. Being Sara Zamperlin means walking with conviction towards a specific goal. Driven by my dream, I first enrolled at the Institute of Applied Art, and then continued my studies until I was qualified as a technician for the conservation, maintenance and restoration of objects of art. I thought then — and I still think – that I made the right decision: that bringing a painting to restoration, or rather, restoration to a painting, might be the precisely the right complementary arrangement to fit in with my own aims. Which were to maintain constant contact with the artists of the past while at the same time experimenting with my own drawing as I sought a particular artistic form. In my own style – something which did indeed eventually emerge. At the beginning, the forms were abstract. I was trying to communicate by bringing out my feelings through line, colour and subject matter. In the meantime, I opened my own restoration and painting workshop, just to satisfy both sides of my being. My research, however, ended up going nowhere.

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