669 Views
28
View In My Room
Photography, Digital on Canvas
Size: 39.4 W x 39.4 H x 0.9 D in
Ships in a Box
669 Views
28
Artist featured in a collection
Genesis : pixoplasty produced from landscapes of La Plaine des Maures (Var, southern France). After exploring contents of some photographs of landscapes of the "Plain des Maures", thus expressing various unleashes of the elements, I study currently the contents of photographs of tree trunks and forests existing in this plain. These explorations revealed to me a new improbable world, populated by amazing abstractions and phantasmagorical personages. Explanation about Pixoplasty : the original photographic image serves as a matrix for a study of its evocations. The scanned image, or digital, is unstructured: its original constituents, pixels, provide me a material as malleable as clay. Then the image is restructured according to my feelings. Prints: Giclée with pigmented inks UltraChrome K3-Vivid Magenta and Epson Stylus Pro 9890 on Hahnemühle Monet canvas 410g/m2 or Harman by Hahnemühle canvas 450g/m2. Wrapped canvas, museeum quality. Limited edition, signed & numbered.
2016
Digital on Canvas
6
39.4 W x 39.4 H x 0.9 D in
Not Framed
Not applicable
Ships in a Box
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Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
France.
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Born in south of France in 1944. Lives and works in Roquefort Les Pins, Alpes Maritimes (France). For my personal photographic work, I always preferred to express my emotion on a subject than simply documenting it. I used first the gum and bichromate, old photographic printing that I rediscovered during 1981 to 1985 and used until 2004. Recent progress of printers, the quality of pigmented inks and papers, causing me to foresee many other possibilities, convinced me to pursue my work on the image into the digital pictures. In 2011, after a lot of work and researches with computer, digital gave me the opportunity to create my tools for my new working that I named "Pixoplasty". The original photographic image serves as a matrix of pixels for a study of matter and interpretation. The image is destructured, its original constituents are processed into a material as malleable as a clay of pixels. This serendipitous pixoplasty allows me to go further in the freedom of interpretation of sensations offered by the original subject. Visit my website for more pictures and information.
Artist featured by Saatchi Art in a collection
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