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Heat of holding / Close-up of intertwined hands Photograph - Limited Edition of 24

Karina Ananikian

Georgia

Photography, Color on Canvas

Size: 11.8 W x 15.7 H x 0.1 D in

Ships in a Tube

$626

Shipping included

Trustpilot Score

43 Views

2

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Hands locked in time. Perhaps this is the last attempt to hold someone, or maybe it's a promise that they will never let go. There's a story between them that only you can see. This photo is about intimacy, subtle but immutable. She will add something important to your home: the warmth of a touch t...

Year Created:

2023

Subject:
Mediums:

Photography, Color on Canvas

Rarity:

Limited Edition of 24

Size:

11.8 W x 15.7 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Georgia.

Need more information?

Need more information?

My name is Karina Ananikian. My photography practice I started because of the internal call. I liked to make beautiful pictures. Later I wondered what makes the shot recognizable and how to get that very photo so that every frame is unique, a unit, not a streaming image. Then the idea came: "From already existing create not yet existing". I started experimenting, studying the effect of light and color. Post-processing has always been an integral part of my work, but suddenly I allowed myself to take the frame away, let the original material change its meaning at its core, give the process whole, not knowing the result in advance, but feeling it in the process. And it started to work out, I was enjoying the visual pleasure of my work. At one point it wasn’t enough. I didn’t understand what was behind each picture, they started to seem empty. But how to solve this, I could not understand. Suddenly came the community of meaningful photography, taking into account context, thought, purpose. And it all turned around. It became clear how I should go on. I did visual research, suffered defeats, sometimes finding answers, but more often stumbling upon questions. This gave a new twist in development. Since then, my practice has become more conscious. And it seems that the next crisis is still far away.

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