VIEW IN MY ROOM
Photography, Color on Paper
Size: 36 W x 24 H x 0.1 D in
Ships in a Box
From the series “Heaven on Earth” exploring the incredible beauty of the mountains and it’s ability to stop you in your tracks. This image of the Oldenhorn from Les Diablerets glacier, Switzerland has a meditative quality that allows the viewer to become completely absorbed in the scene. With it’s calming blue skies and silky snowy slopes it’s the perfect view to come home to. Images signed, titled and numbered by the photographer. Giclée print on Fuji Fine Art Rag.
Photography:Color on Paper
Artist Produced Limited Edition of:1
Size:36 W x 24 H x 0.1 D in
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Emma Godfrey Pigott (b. 1979, UK) is a Swiss-based visual artist and writer living in the Alps. She is currently studying a Master of Fine Arts at the University of South Wales studying under Lisa Barnard and Mark Durden. Prior to this she was self-taught and one of the founding members of Natasha Caruana’s ‘Work Show Grow’ artist education platform. She was a finalist in the Royal Photographic Society (RPS) International Photography Exhibition 2019 and won an Honourable Mention in the 14th Julia Margaret Cameron Awards. Her work has been exhibited at FotoNostrom Barcelona, RPS House Bristol and at the 2023 Bienal de Foto do Porto Portugal. Her writing has been published on the RPS Hundred Heroines blog. The landscape is a key aspect in Emma’s practice: for her it becomes a character and stage upon which to explore the experience of being in the world. Her research focuses on liminality and New Materialism as a paradigm for understanding the changes that are happening in our world especially due to the climate crisis. Working across a range of lens-based media and alternative processes, she plays with the capture and surface of the photograph, allowing chance and generative, collaborative strategies to influence the outcome. She is interested in how exhibition spaces can affect visual meaning and aspires to work with installation and sculpture in the presentation of her work.
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