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Photography, Digital on Paper
Size: 24 W x 24 H x 0.1 D in
Ships in a Tube
$390
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18 Views
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ABOUT THE ARTWORK
Wide Iron is one in a series of photographs paying homage to Jacob Lawrence's classic 1943 painting The Ironers. I have been obsessed with that painting for years, how it conveys the subjects' struggles and strengths in abstract color blocks and how its stylized forms interact. My photographs contemplate what has and hasn't changed in the almost a century since then, exploring race, history, and an every-woman in America. What I like about this picture is that the subject is clearly of our time, but she’s in a classic Harlem Renaissance pose. Her strength and focus, which are so reminiscent of Lawrence’s subjects, are timeless.
Original Created:
2017
Subjects:
Materials:
Styles:
DETAILS AND DIMENSIONS
Photography:
Digital on Paper
Artist Produced Limited Edition of:
25
Size:
24 W x 24 H x 0.1 D in
Frame:
Not Framed
Ready to Hang:
Not applicable
Packaging:
Ships Rolled in a Tube
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United States.
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David Gallo
United States
DAVID GALLO b1966 Creates innovative scenic and media design for television, concerts, and events. He has designed over 30 Broadway shows, garnering him four Tony nominations and one win. He won two Emmy awards (three nominations) for Outstanding Set Design for Sesame Street, and he designed Jerry Seinfeld: 23 Hours to Kill for Netflix. He has designed numerous other productions, winning every major award for theatrical set design. David was creative director for eight of Phish's mind-blowing rock and roll New Year's Eve extravaganzas at Madison Square Garden and the American Airlines Arena. He provides a complete vision for every aspect of the experience from concept and creative development to design, choreography, and execution. His work for Blue Man Group has been seen by millions in New York, Boston, Chicago, and Las Vegas, and the Illusionarium he created for Norwegian Cruise Line was a pioneer in immersive entertainment venues. The Cooper-Hewitt, Smithsonian, McNay and Rock & Roll Hall of Fame all own his work.
Artist Recognition
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