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View In My Room
Photography, Color on Paper
Size: 24 W x 16 H x 1 D in
Ships in a Tube
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Artist featured in a collection
I never held any truck with 'art critics' who in the 60s refused to accept color photography as an art form. It never occurred to me there was any difference between b&w and Kodachrome. The only difference was interpretation, emotion, and conveyance. But noooooooooo...morons in NYC dictated that color was commercial only!!!!! No room for ART in color. Then along came John Szarkowski and his tome on photography that basically set the stage for just what and who was Really Important for Art Photography. B&W good...large format Great...Cabro Process Sucks...But while Color is iffy, there is one God of color...an elegant chain-smoking aristocrat, William Eggleston... Hence, with John's glowing help, Bill E was shot to the heavens. Color became borderline acceptable. I have loved LA ever since I was 6 years old and watched my first The Wonderful World of Disney on a cold night in Connecticut. And I finally got there in 1980 and knew I was Home. LA was the scene of the worst and very best moments in my life on all levels. All my images from the 20 years I lived there are love letters. IMAGE: 24"W x 16"H PAPER 30"W x 20"H
Color on Paper
8
24 W x 16 H x 1 D in
Not Framed
Not applicable
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First off I wouldn't have evolved this far as an artist without the deep friendship of two very special shooters...Chipp Jamison and Keith Williamson. And I wouldn't have understood anything about technique and 'seeing' without my longtime mentor and friend, Phil Zimmerman. It was suggested that I talk about what motivates me to That's always been difficult for me. I've always held to DH Lawrence's warning of 'Never Trust the Teller; Trust the Tale'. So here goes..When my camera and lens come up to my eye everything changes in me. My eye, brain, heart body and soul align. I become a part of. And it's a magical and glorious feeling...a physical rush as well as a spiritual one. My nose is crushed against my face; I realize I'm not breathing. All of me is concentrated on what I see through the viewfinder and flowing to that image. I see it; I feel it; my pulse is racing; I rapidly bracket (an old habit from my analog days) because I want the moment to last; and I know exactly what it's going to look like when I download it to Photoshop. I have this same experience whether the subject is rust on old cars, the Dunes, People, news events, my Mannequin, Landscapes, Water, or Flowers. And the best aspect of photography for me is that I get to experience all the joy of that one image over and over. There are a lot of images here and I keep posting more. I'm prolific. I'm a shooter and an artist. It's who I am. The images are as real and honest as I am. Enjoy!
Artist featured by Saatchi Art in a collection
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