122 Views
5
View In My Room
Photography, Black & White on Paper
Size: 12.6 W x 17.3 H x 0.1 D in
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122 Views
5
Artist featured in a collection
"Infinity" In the context in which Montecucco moves, it is fundamental that his photographs not be retouched in any way. Light and dark so skillfully balanced by the author is obtained thanks to his perfect knowledge of every possible nuance of light in the streets and alleyways of the historic center of different cities (his favorite “hunting ground”); unsuspecting subjects are never chosen at random, but every shot is the result of hours and hours, if not days, of following and repositioning, waiting for just the right moment. The play of light and shadow, here taken to the extreme, is essential in the definition of the image and creates the ideal setting for the exaltation of movement that the unsuspecting passer-by performs from light to dark (or vice versa); the contrast that is created is something more than people simply walking along the street. The subjects seem, in fact, to physically go towards their fate- some flaunting safety, others displaying a certain underlying melancholy. These figures move in settings that are at times surreal, communicating to us their different states of being, each with his own pose and attitudes captured in a tenuous and veiled way, the shadows that precede and follow them, in the cones of light that almost become footbridges. Liberta' 2013 project "Infinity" Limited Edition 5+1pa 3/5
2013
Black & White on Paper
5
12.6 W x 17.3 H x 0.1 D in
Not Framed
No
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Biography ● Born in Perugia Claudio Montecucco graduated as a technician in mechanical engineering and received his three-year degree as a CAD disigner. He enrolled in the Faculty of Architecture in Florence, though after several exams, he abandoned his studies to work in the family jewelry store as a jewelry designer and pursue his piano studies and get diploma late. A lover of all art forms, he cites his favoirite authors with whom he identifies such as Robert Doisneau “What I was trying to show was a world in which I felt at home, where people were kind. Where I could find the tenderness that I hope to receive. My photography were the proof that this world could exist”. Being a reserved man and little inclined to being observed Montecucco had been taking photographs that permitted him to express something stongly personal, images guided by the intuition, by his search so called “elusive moment” that moment he would like to capture everyday walking down the street with his camera. ● “ I try to capture images of a routine life, what seems to be at a first glance to be banal and routine I try to lift it to a new form to a new interpretation. I take photos almost anything I see and worth it, everything is interesting to me, life itself even in its humble monotony. I was born introvert,introvertedness that open to a street. I search for happiness in catching a moment -“elusive moment”. My heart and my shot beats as one. “ M.Thompson Nati ● Claudio Montecucco tries in all his projects to unite three arts such as painting, architecture and photography in one “form” and tackle an arduous task of photography so called a capture “elusive moment” and elevate it into the art. When you define Montecucco as a classic photographer, you can not limit him to that simple description, which you are able to glean from observing his photographs, so carefully arranged as to seem from another time, but this is how he highlights his choice of field, which is equally esthetic but even more intimately psychological. It is no coincidence that from his favourite authors he cites those that many years ago walked down the Parisian streets, not so much to capture reality as to be seduced by it. That genre has been defined as “Photographie humaniste” because it looked at man with indulgence and trust. The same used by Claudio Montecucco when he goes down the streets looking for strange and unrepeatable moments where something almost imperceptible happens...
Artist featured by Saatchi Art in a collection
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