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Multiple-exposure on 35mm film.
Manchester, UK.

Unmounted 24x16 inch hand-signed and numbered C-Type print from a limited edition of 25 (plus 2 artist's proofs). Print comes with a wide border for easy matting and framing (Overall size 30x20in).

Additional images simulated and for illustration purposes only.
Multiple-exposure on 35mm film.
Manchester, UK.

Unmounted 24x16 inch hand-signed and numbered C-Type print from a limited edition of 25 (plus 2 artist's proofs). Print comes with a wide border for easy matting and framing (Overall size 30x20in).

Additional images simulated and for illustration purposes only.
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VIEW IN MY ROOM

Mancunian Misinformation 11 - Limited Edition 1 of 25 Photograph

Justice Hyde

United Kingdom

Photography, Color on Paper

Size: 24 W x 16 H x 0.1 D in

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$305USD

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220 Views
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About The Artwork

Multiple-exposure on 35mm film. Manchester, UK. Unmounted 24x16 inch hand-signed and numbered C-Type print from a limited edition of 25 (plus 2 artist's proofs). Print comes with a wide border for easy matting and framing (Overall size 30x20in). Additional images simulated and for illustration purposes only.

Details & Dimensions

Photography:Color on Paper

Artist Produced Limited Edition of:1

Size:24 W x 16 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Justice Hyde is an emerging photographic artist based in North West England. Largely self-taught, his work incorporates multiple strands: explorations of mortality through abstracted images of deteriorated surfaces both natural and man-made; themes of psychogeography, resonance and dissonance in the urban, suburban and rural landscape; and examinations of sexuality, identity and self-actualisation amid the fluid moralities and new paradigms of the data age. The strands are unified by an interest in the convergence, divergence and intersection of perception and reality. Having begun in photography by using, developing and printing black and white film, he moved to digital processes, but since 2014 has increasingly returned to analogue photography, with 35mm, medium format and Polaroid film now central to his practice, alongside DSLR and even smartphone cameras. In most cases little or no post-processing is used. This diverse approach and discipline ensure that the image never becomes secondary to the tool or technique.

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