375 Views
6
View In My Room
Justice Hyde
United Kingdom
Photography, Color on Aluminium
Size: 60 W x 24 H x 0.2 D in
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375 Views
6
Artist featured in a collection
From a new series shot at night in the centre of Manchester, January 2016. Using 35mm film and a 1980s point-and-shoot zoom camera (both pushed to the limits of their capabilities), the urban environment is reconstructed with strange reflections, muted colours, deep shadows and flashes of brilliant light. C-Type prints from 35mm colour film negative scans. The triptych comprises images 6, 7 and 8 from the Mancunian Misinformation series, and the individual prints are taken from the total edition of 25 for each photograph. Triptych prints will be identically numbered (Currently 1/25 is available). Three aluminium-mounted C-Type prints, each 24x16 inches, designed to be hung 4-6 inches apart to create an overall artwork size of 24x60 inches approx. Each panel is hand-signed and numbered on the back.
2016
Color on Aluminium
1
60 W x 24 H x 0.2 D in
3
Not Framed
Yes
Ships in a Box
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United Kingdom
Justice Hyde is an emerging photographic artist based in North West England. Largely self-taught, his work incorporates multiple strands: explorations of mortality through abstracted images of deteriorated surfaces both natural and man-made; themes of psychogeography, resonance and dissonance in the urban, suburban and rural landscape; and examinations of sexuality, identity and self-actualisation amid the fluid moralities and new paradigms of the data age. The strands are unified by an interest in the convergence, divergence and intersection of perception and reality. Having begun in photography by using, developing and printing black and white film, he moved to digital processes, but since 2014 has increasingly returned to analogue photography, with 35mm, medium format and Polaroid film now central to his practice, alongside DSLR and even smartphone cameras. In most cases little or no post-processing is used. This diverse approach and discipline ensure that the image never becomes secondary to the tool or technique.
Artist featured by Saatchi Art in a collection
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