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Photography: Polaroid, Color, C-type, Photo, Analog on Other.
Memories of Green, triptych
Edition 2/5, 2003, each 58x56cm,
installed with gaps 58x178cm,
analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper,
based on 3 expired Polaroids,
Artist inventory Number 1140.02.
Signature label and Certificate.
Stefanie Schneider: A German view of the American West
The works of Stefanie Schneider evoke Ed Ruscha's obsession with the American experience, the richness of Georgia O'Keefe's deserts and the loneliness of Edward Hopper's haunting paintings. So how exactly did this German photographer become one of the most important artists of the American narrative of the 20th and 21st century?
Born in Germany in 1968, photographer Schneider divides her time between Berlin and Los Angeles and became naturalized American in 2012. Her process begins in the American West, in locations such as the planes and deserts of Southern California, where she photographs her subjects. In Berlin, Schneider develops and enlarges her works in a self designed and built analog color laboratory.
What is most striking about Stefanie's images are the use of expired Polaroid film. That sense of unknown is important to the process the artist explains. Letting a little serendipity into your life is what gives it spice. Her role in preserving the use of Polaroid is one aspect of her work that has gained great respect from her contemporaries and the critics, as her work came about during a time when the Polaroid, a symbol of American photography, was on the road to extinction but was revived from the dead partly because of Stefanie's work.
This theme of preservation and deterioration is a core part of Schneider's oeuvre. In an interview in October 2014 with Artnet, the artist explained how her own experiences of pain and loss inspire her. ''My work resembles my life: Love, lost and unrequited, leaves its mark in our lives as a senseless pain that has no place in the present.''
Schneider's subjects are often featured in apocalyptic settings: desert planes, trailer parks, oilfields, run-down motels and empty beaches, alone, or if not, not connected with one another. ''It is the tangible experience of ''absence'' that has inspired my work,'' explained Schneider.
This sense of absence runs deep through Schneider's work, the fact she even uses expired film means there is a sense of the unknown. Long before Valencia, Mayfair and Amaro, or any other Instagram filters, Schneider was creating this otherworldliness with real and true film.
Size: 70 W x 22 H x 0.1 in
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