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Inna Etuvgi
Sweden
Photography, Giclée on Paper
Size: 15.7 W x 11.8 H x 0.1 D in
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'Mossy Dreamscapes,' a fine art photography print by Inna Etuvgi. This macro photograph, taken in the forests of Huskvarna, Sweden, showcases a serene mossy space covered with the dewdrops Etuvgi's work illuminates the marvels of the natural world, reminding us that even the smallest elements, like a dewdrop on moss, are a microcosm of the vast cosmos. This piece invites viewers into a moment of reflection on the beauty and complexity that lies in the simple aspects of nature Printed on archival quality paper in a limited edition, this fine art print not only adds aesthetic value to any space but also serves as a portal to deeper contemplation and appreciation of the natural world's subtle wonders ABOUT THE PRINT: Gicleè print on Canson Fine Art paper + COA Matted in Ph-neutral passepartout 40x30 cm (Crimson colour) + backing, ready for framing Image size 30x20 cm Limited edition 25 Signed, numbered and printed by the author ABOUT THE AUTHOR: Inna Etuvgi, hailing from Russia's Arctic shores, brings her technical background to light as a Swedish art photographer. Her artistic journey began in 2020, and in 2022, she gained recognition as a finalist in the Arte Laguna Prize 16. In 2023, she received an honour from the Swedish Arts Grants Committee. Etuvgi’s works are featured in “Photography in the Visual Culture” 22/23 book Navigating life with Aphantasia, Inna's mind doesn't visualise, but it pulsates with vivid concepts, emotions, and sensations. She uses her camera not merely to explore the world but to externalise her unique mental landscapes, making them visible Art critic Tabish Khan says about Inna’s art: “her work is about transporting us to other worlds - both real and imaginary, but always in harmony with nature. She may have a mind blind to visualisation, but she has eyes and a camera that capture the beauty in the worlds that the rest of us often overlook and take for granted”
Giclée on Paper
25
15.7 W x 11.8 H x 0.1 D in
Not Framed
No
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My work is a response to the delicate balance of life that I learned to respect growing up in the Arctic, where survival depends on the smallest signs of nature. Through macro photography, I magnify the hidden beauty of mosses, lichens, and dewdrops—overlooked organisms that play an essential role in maintaining ecosystems—challenging the human-centered worldview. With Aphantasia, my inability to visualize images internally, nature becomes my external mirror, reflecting my inner landscapes, coloured with emotions and sensations. This intimate dialogue with nature drives my creative process. By incorporating AI and generative digital art, I extend this exploration, blending the organic with the technological, to examine how humans fit into both natural and social systems. Ultimately, my art serves as a reminder of the fragile interconnectedness of all life. As we push forward into an increasingly technology-driven future, my work encourages viewers to pause, reconsider their place in the world, and embrace a more mindful and compassionate relationship with nature.
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