









Photography, Digital on Plexiglass
51.6 W x 51.6 H in
Framed, Ready to Hang
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This photo of the NYC rail yard is made up of over 50 images, and on the right you can see the construction of the Vessel… the final photo is 3 x 3 meters without enlargement, giving rise to infinite details. Photo taken from the Manhattan Bridge. The print under Plexiglas with a white aluminum Amer...
2019
Photography, Digital on Plexiglass
Limited Edition of 15
51.6 W x 51.6 H x 2 D in
Yes
White
Certificate is Included
Ships in a Crate
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Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
France.
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Didier Fournet is a French visual artist and photographer whose work explores the boundaries between photography, perception, and abstraction. Introduced to image-making at an early age in Paris, he first developed a long career as an artistic director for major advertising groups before dedicating himself fully to an artistic practice focused on the transformations of contemporary perception. Through the series Vibrations and Abstract Vibrations, he creates images built from multiple photographs taken within the same space and over extended periods of time. This accumulation of temporal layers gradually transforms photography into a perceptual experience in which visual landmarks shift, fragment, and recombine. The image no longer seeks to freeze a single moment, but rather to convey an unstable and moving sensation of reality. His work is primarily rooted in contemporary urban environments: megacities, transitional spaces, vertical architectures, and landscapes saturated with human and luminous flows. By intervening directly within the photographic structure of the image, Didier Fournet develops immersive compositions where tensions emerge between appearance and disappearance, sharpness and dissolution, framing and disorientation. The notion of vibration lies at the core of his artistic approach. It reflects both the rhythms of contemporary life and the visual saturation generated by modern cities. Through these photographic constructions, the viewer’s gaze is constantly challenged, displaced, and recomposed. The image becomes an immersive space that moves beyond simple documentary representation to open a sensitive reflection on the way we inhabit and perceive the contemporary world. Some large-scale works, particularly the triptychs from the Abstract Vibrations series, extend this research by transforming urban space into a vibratory visual material. The viewer experiences an immersive visual environment where the boundaries between reality and abstraction become increasingly porous. His work has been presented in France, Europe, the United States, and China, notably at the Musée de Guéthary as well as in several international contemporary art fairs and exhibitions. TECHNIQUES High-definition digital photography Multi-temporal image compositions Exploration of vibration, fragmentation, and spatial perception Fine Art prints and large-scale photographic installations MAIN SERIES Vibrations Abstract Vibrations
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