VIEW IN MY ROOM
Norway
Photography, Digital on Paper
Size: 15.7 W x 19.7 H x 0 D in
Ships in a Box
After years and years of collecting bottle tops from beer bottles, a man decided to donate the raw material for this creation to the costume designer. There are also champagne muselet caps in meaningful patterns applied, for the avid observer. If this costume were to be worn on a conventional stage, its weight would tear it apart, as it is only fastened with pieces of duct tape. But it is - like all the costumes in this series - created for the stage that is the camera. It was only worn –standing still–for an hour or so, and the most obvious patches of tape is cloned out in editing. Thus, the camera frees the designer to play with ideas in a way that relies on certain characteristics of the media - which, of course, was selected exactly to achieve such playfulness. Printed with pigment ink (Epson) by the photographer on 100% cotton paper (Hahnemühle photo rag baryta), Obturamentum cerevisia II is one of twelve pictures in the series "Of the eyes he made window panes". The combination of pigment and cotton should in itself be one of the most durable media, but the surface has not been treated further, and should be kept behind UV protection for optimal longevity. The image is presented with a generous white border, and signed on the front, below the print. There is also a hologram badge in verso with a matching Certificate of Authenticity, signed by the artist, supplied in the shipment. The print is edited in photoshop, but not a composite or a "look like a painting"-filtered image.
Photography:Digital on Paper
Artist Produced Limited Edition of:5
Size:15.7 W x 19.7 H x 0 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Norway.
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Norway
Finding great pleasure in the presence of the real, I try to make visual mediations that will help both myself and viewers of my art to appreciate the world we share. I live in Norway, where dark, fierce winters and luminous summer nights spans an arch over the lives of humankind in a special way. I grew up at the coast where fishermen crossed the treshold of "man's element" into the wet and fertile ocean. I currently live in one of Norway's most fertile agricultural lands: these are the terms of our existance: to sweat between dusk and dust.
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