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View In My Room
Photography, Digital on Paper
Size: 13 W x 19 H x 0.1 D in
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41 Views
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Showed at the The Other Art Fair
Artist featured in a collection
One evening, sitting in my backyard as night descended, I started to take photographs of shapes in the landscape: trees, a distant hill, a lone agave, anything that drew me into its essence. Everything was hand-held, with the viewfinder all but useless in the dark. I knew that long exposures would give the image movement and, hopefully, the feeling of impermanence and solitude that is a theme in much of my work. Light from the moon, the stars and/or my house would touch the images in interesting yet unpredictable ways. This is how my new series, NIGHT, began. They are subtle, almost abstract, Zen-like photos of the natural world at night. Light, much of which the naked eye really can’t process, often surfaces from the darkness, helping to define the shapes and add to the organic colors. They evoke the quiet and beauty of walking through nature at night. These works have a delicate and ethereal quality helped by their printing on a thin, natural Japanese Kozo paper (made from the bark of Mulberry trees).
2022
Digital on Paper
10
13 W x 19 H x 0.1 D in
Not Framed
No
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Jerry Shevick’s photography is rooted in the Buddhist concept of impermanence and, even more specifically, Wabi Sabi. Wabi Sabi is difficult to translate—it’s more of a feeling than an actual concept; however, it implies simplicity and beauty as something ages, fades or changes. The perfectly imperfect. Jerry has been photographing and printing for the last 40 years. In fits and starts, over the last decade, he has begun to exhibit and sell his work. In 2013, pieces from his series, “And The Past Reared Its Head” were juried into a number of shows and sold, which prompted a more serious approach to his artwork. The series took vintage slides from Jerry’s past, as well as from many others, and through a process of re-shooting and re-imagining the photograph, looks at the impermanence of the image, of time, of family, of life. A follow-up show used vintage, amateur nudes in the same way. A review in Fabric Magazine said, “What looks like the faded slides of one prolific, if amateur photographer, is really Shevick’s heavily curated pickings of found objects in the photo sections of flea markets and estate sales that he’s culled and rephotographed in a fresh, innovative way. The result is a re-framing of the entire experience in a campy, post-modern, tongue in cheek show.” Further projects came. There is the on-going series of “Night”: subtle, almost abstract, Zen-like photos of the natural world at night, printed on Japanese mulberry paper. Handheld with slow exposures, they evoke the quiet and beauty of walking through nature after dark. “The Other Worlds of Death Valley” was the result of a journey to one of the most inhospitable places on Earth. But, the work became big and bold in color and structure, revealing an otherworldly landscape in its ancient beauty. Jerry is now back to exploring black and white landscapes, the kind of work he began in. And, while now working digitally, the prints are worked very much in mind with silver printing. For most of his career, Jerry was an entertainment executive, running a division of Hearst Communications and then founding his own company, Shevick*Zupon Entertainment. He created or supervised over 1,500 episodes of non-fiction programming, winning a number of awards along the way. He was also the production executive on 50 made for television movies.
Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles
Artist featured by Saatchi Art in a collection
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