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105 Views
4
View In My Room
Photography, C-type on Paper
Size: 31.5 W x 31.5 H x 0.8 D in
Ships in a Crate
Shipping included
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105 Views
4
Showed at the The Other Art Fair
Artist featured in a collection
Oriel is a laser cut C type photographic image, printed on Fuji metallic paper, and Diasec mounted between clear Perspex and DiBond. It’s fitted with a hidden subframe, so it appears to float 15mm in front of the wall. .. Oriel is formulated around a classic spirograph style drawing, in which a multiplicity of circles interlock to form an intensely satisfying repeating pattern of arcs on the page. It can also be viewed as a kind of window, or portal, that may draw in the gaze of the viewer, with its gently hypnotic repetitions. The drawn grid is comprised of a series of glazed forms, each with a unique, subtly changing, internal structure, and combed distortions. I made the studies for my 2017 exhibition Current at Catto, and coloured them red and blue, after failing to resolve a series of more complex multi-coloured studies, or at least determining that the primacy of these far simpler colour choices would have more power in the space than a more complex palette could achieve at this size. That certainly seemed to be the best resolution in the moment. Ultimately all the works create their own direction of travel as choices are made, and paths followed, that inevitably lead to one solution being favoured above another, perhaps equally interesting, set of possibilities.
2017
C-type on Paper
12
31.5 W x 31.5 H x 0.8 D in
Other
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United Kingdom.
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United Kingdom
Chuck Elliott (b. 1967, London) is a pioneer of digitally generated art. He claims to have used the first Apple Macintosh imported to the UK in 1984, the same year Apple launched the computers, with their now infamous Orwellian advertising campaign. Acquiring his own machine in 1989, he has been drawing, sculpting, editing and compositing digitally ever since. Graduating in 1992, he founded a succession of small, successful studios in London. In 2005 he moved to Bristol, where he now works full time on his sublime, fluid studies in light, colour, motion and liquid geometry. Delighting in the machines' ability to hone and craft sculptural drawings, render, edit, mix, cut, paste, sculpt, and re edit, colour spaces are manipulated, light levels finely tuned, and a myriad of images and series of derivations are produced, using processes analogous to the way in which modern music is realised. Chuck Elliott is reinterpreting the essence of abstract fine art print making for the digital age. Pure logical progression.
Handpicked to show at The Other Art Fair presented by Saatchi Art in London
Artist featured by Saatchi Art in a collection
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