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Palazzo Vecchio with David, Hercules and Cacus. IT003_001 Photograph - Limited Edition of 19
Italy
Photography, C-type on Paper
Size: 19.7 W x 29.5 H x 0 D in
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Artist featured in a collection
About The Artwork
Captured through the artistic sensitivity of Paolo Grassi, this photograph offers a delightful glimpse into the perspective of Palazzo Vecchio, adorned with the imposing sculptures of Michelangelo's David, and Baccio Bandinelli's Hercules and Cacus. The composition serves as a visual ode to Renaissance mastery, with light gently caressing the sculptural forms, outlining details, and creating evocative contrasts. The image's perspective transforms the observer into a time traveler, immersing them in the golden age of Renaissance Florence. This photograph is a work that captures the eternal beauty of these iconic sculptures and the magnificent Palazzo Vecchio, narrating the history of art and historical grandeur with a contemporary touch. The photographic print is produced from certified files using a blockchain system (similar process to NFT).
Details & Dimensions
Photography:C-type on Paper
Artist Produced Limited Edition of:19
Size:19.7 W x 29.5 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Italy
Paolo Grassi was born in Tuscany and began photographing at a very young age in an analytical manner starting from 1976, after studying photographic technique and lighting based on the experiences of Andreas Feininger and Ansel Adams. For about 15 years, he explored the elements of nature and people through the filter of photographic film with a 35mm reflex camera, which, due to its compactness, accompanied him daily for many years in his visual exploration. Many images were captured on film, and only a small portion was personally printed in black and white in a darkroom. A significant aspect of this period is the photographic research conducted in Sardinia in 1979 (the year of the kidnapping of singer-songwriter Fabrizio De André in Gallura), where he interpreted and documented the environment, traditions, and faces of the people in black and white.
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