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Riding The Wave Photograph - Limited Edition of 7

Furio Torracchi, Germany

Photography, C-Type on Paper

39.4 W x 21.3 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$1,150

Shipping Included

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The sea project. People at the beach and seascapes are the main subject of this collection. These works come mainly from a photographic base and are then seriously digitally reworked. This kind of work is exploring how far photography can be reduced through digital manipulation, without losing visua...

Year Created:

2025

Subject:
Mediums:

Photography, C-Type on Paper

Rarity:

Limited Edition of 7

Size:

39.4 W x 21.3 H x 0.4 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Germany.

Customs:

Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Furio Torracchi is a Munich-based Italian artist whose practice centres on the transformation of the photographic image. Trained in Fine and Applied Art at London Guildhall University, he has spent over two decades developing a body of work in which photography is never the endpoint — but the starting point. Rather than treating the photograph as document or record, Torracchi subjects it to digital manipulation, painterly intervention, and formal fragmentation. Figures dissolve into colour and movement. Seascapes resist topography in favour of feeling. Domestic scenes become half-familiar, half-abstract. What remains is closer to emotional residue than information — images that work on the viewer the way memory does: through impression, atmosphere, and selective disappearance. His major photographic series — including the beach and seascape work, Private Sphere, and What Remains of Our Memories — share a consistent conceptual thread: the boundary between presence and dissolution, between a person and the light that surrounds them. His work has been exhibited internationally at venues including Miami Art Week (Red Dot), dfn Gallery New York, Eunoia Gallery San Francisco, Lemon Frame Gallery Tel Aviv, and Museum Wasserburg, and has received awards from PX3 Paris, TIFA Tokyo, IPA, and MIFA. It has been reviewed in the Süddeutsche Zeitung and The Independent (London), and is held in private collections across Europe, North America, South America, and the Middle East.

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