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Rubicon / cyan breaker, detail
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Rubicon / cyan breaker - Limited Edition of 8 Photograph

Chuck Elliott

United Kingdom

Photography, C-type on Paper

Size: 47.2 W x 47.2 H x 0.8 D in

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$5,350

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Artist Recognition

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

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Artist featured in a collection

About The Artwork

Rubicon is a laser cut C type photographic image, printed on Fuji metallic paper, and Diasec mounted between clear Perspex and DiBond. It’s fitted with a hidden subframe, so it appears to float 15mm in front of the wall. .. I drew Rubicon as part of my Current at Catto show in 2017. It’s the first of a series of circular ‘systematic variation’ pieces, that take on the idea of using geometrical variations to re-modulate underlying drawings to add increased levels of movement and energy to the line work, in this case using a kind of diamond matrix to animate the flow of the inks as they work outwards from the centre. I made the study in two distinct colour palettes, this highly liquid cyan, turquoise and orange one, and a more autumnal piece with coppers, golds, reds and oranges. Rubicon refers to a myriad things, but in my mind it’s a reference to the first Tangerine Dream album I bought in 1984, an astonishing piece of fully synthesised music, which still seems years ahead of its time. More recently I’ve also been listening to the incredibly talented Anoushka Shankar, whose Rubicon track is a piece about the refugee crisis, and appears on her amazing album Land of Gold. Both are well worth a listen.

Details & Dimensions

Photography:C-type on Paper

Artist Produced Limited Edition of:8

Size:47.2 W x 47.2 H x 0.8 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Chuck Elliott (b. 1967, London) is a pioneer of digitally generated art. He claims to have used the first Apple Macintosh imported to the UK in 1984, the same year Apple launched the computers, with their now infamous Orwellian advertising campaign. Acquiring his own machine in 1989, he has been drawing, sculpting, editing and compositing digitally ever since. Graduating in 1992, he founded a succession of small, successful studios in London. In 2005 he moved to Bristol, where he now works full time on his sublime, fluid studies in light, colour, motion and liquid geometry. Delighting in the machines' ability to hone and craft sculptural drawings, render, edit, mix, cut, paste, sculpt, and re edit, colour spaces are manipulated, light levels finely tuned, and a myriad of images and series of derivations are produced, using processes analogous to the way in which modern music is realised. Chuck Elliott is reinterpreting the essence of abstract fine art print making for the digital age. Pure logical progression.

Artist Recognition

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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