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"Sensual Calla" Photograph - Limited Edition of 10

Aleksandr Sokolnikov

Estonia

Photography, Color on Paper

Size: 23.6 W x 15.7 H x 0.1 D in

Ships in a Tube

$1,100

Shipping included

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Captured on a street in Zurich, this work reveals a fleeting alignment of light, form, and presence. Emerging from shadow, the calla lily takes on a sculptural, almost human quality — its curves unfolding with quiet sensuality and organic precision. Set against the depth of a dark archway, the flowe...

Year Created:

2025

Subject:
Mediums:

Photography, Color on Paper

Rarity:

Limited Edition of 10

Size:

23.6 W x 15.7 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Estonia.

Need more information?

Need more information?

I was born in Russia and live and work in Estonia. My connection to visual art began early, shaped by time spent in museums and encounters with Renaissance painting. These experiences formed a lasting sensitivity to light, composition, and the narrative potential of an image. I discovered photography at sixteen, using my father’s camera and working in a home darkroom. Although I built a career in engineering, photography remained a constant — gradually shifting from a parallel interest to a central practice. My work moves across landscape, portrait, and the human form, with a growing focus on conceptual photography. Regardless of genre, I am drawn to transitions — between light and shadow, presence and absence, clarity and ambiguity. Nature is a recurring foundation in my work. I approach both landscape and the human body as part of the same continuum, exploring their shared language of form, rhythm, and imperfection. I am not interested in direct representation. Instead, I use photography as a way to interpret — to construct images that convey atmosphere, tension, and a sense of quiet, unresolved narrative.

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