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Photography, Digital on Paper
Size: 11.5 W x 14.4 H x 0.1 D in
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[Artist Statement] Maybe it’s because I grew up near the quiet, temperate Seto Inland Sea, but forests have always been a source of endless fascination for me. I remember feeling in awe of the presences I sensed among the trees, and this has drawn me back over and over again. In February, I visited the foot of the Yatsugatake Mountains in winter. My photography equipment and the solitude weighed heavily upon me, and the piercing cold stole my body heat. I was walking along, and before I knew it, I was drawn into an unknown world. I was hesitant to proceed, but my mind was in a state of turmoil and my consciousness faded away as if I were in a trance. A large figure slowly danced before my mind’s eye. It playfully struck a pose, as if inviting me to take a picture. The encounter lasted only a moment, but it felt much longer. When I opened my eyes, I was back in the forest. The trees stared down at me, not saying a word. No doubt I was lured in by the spirits who have inhabited Japanese forests since ancient times. Yasuo Kiyonaga
Digital on Paper
2
11.5 W x 14.4 H x 0.1 D in
Black
Yes
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A photographer based in Tokyo, Kyoto, and Paris. Born in 1948 in Kagawa, Japan. In his photographic work, Yasuo Kiyonaga interprets nature, villages, cities, people, and everything else in our lives in surrealistic ways. The subjects captured in his viewfinder are freed from their original contexts and given new shapes and significances. Many of his works are associated with the abstract arts of cubism and surrealism. His output is not limited to photography. Using his unique skills, he beautifully combines seemingly incompatible concepts such as photographs and paintings, nature and the artificial, two-dimensional and three-dimensional, past and future, and dreams and reality, and sublimates them into art. In 1966, strongly influenced by the two photographers Jean-Eugène Atget and Aaron Siskind, Yasuo Kiyonaga began studying photography. In 1970, after graduating from a college photography program, he started working for Recruit Co., Ltd. as a staff photographer, who mainly photograph the workers in Japan. In 1980, he left the organization and established his own company, SHC, which specializes in the planning and production of corporate communication content which was not well known at the time. Yasuo Kiyonaga focused on the field of photojournalism for a long term and grew SHC into a company with 150 employees. Even today, this company remains an industry leader. In addition to its core business, it is also boldly taking on new challenges that are ahead of the times. The ideas, critical eye, and decision-making skills honed through these experiences have become the source of his creative activities. In 1995, he resumed his career as an artist and opened a series of galleries in Tokyo, Kyoto, Paris, and online to display his works and those of other photographers. He is the owner of the online photo galleries Kyoto Museum of Photography, as well as the physical galleries Kyoto Museum of Photography, Gallery Artisan Tokyo and Gallery Japanesque Paris. His works have been exhibited across Japan, including Spirit of Forest at Epson Imaging Gallery Epsite (2010), Hanoi × 6% at Kintetsu Department Store Abeno Harukas Art Gallery (2020), and Identity and Two Landscapes at Kyoto Museum of Photography Gallery Japanesque (2020).
Artist featured by Saatchi Art in a collection
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