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Studies for Lawrence: Number XXV Photograph

Paul Simon Waller

United Kingdom

Photography, Digital on Other

Size: 50 W x 33.3 H x 0.1 D in

This artwork is not for sale.

422 Views

2

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The twenty-fifth in a series of Photographic Abstractions of the natural world using only organic materials to create the abstraction within the frame

Year Created:

2009

Subject:
Styles:
Mediums:

Photography, Digital on Other

Rarity:

One-of-a-kind Artwork

Size:

50 W x 33.3 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Need more information?

Need more information?

I was born in South England, 1982. I was raised in the countryside, away from the collision of the human populace, of whom I tend to shy away from still. Film and image has been my existence since I could hold a remote control, and painting and literature became a passion since I began my education. The book, the canvas and the photographic image have always had a cohesive bond that I have been unable to seperate, furthered by my exile into solitary life that allows me to climb further into my imagination and the loneliness of the British landscape.

I studied painting for nine years before adopting the camera and taking up a photography degree at Portsmouth University. Although I changed medium, my resources still continue to draw furiously from the canvas - with particular fondness for the Romantic painters of the 19th century and contemporary figures such as Francis Bacon, Piet Mondrian and Ken Currie. Inspiration evolves from an endless stream; politics, life, film, literature, music, mythology and old wives tales; and often my studies will come from a seed of one of these forms, moulding them like clay as I continue to shape what I have started. I never feel a project has been completed, it is merely in the starting stable vibrating with the shot of the gun.

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Curator - India Balyejusa

India Balyejusa, Senior Curator

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