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View In My Room

Studio scene A Photograph - Limited Edition of 1

Gijs Pape

Netherlands

Photography, Digital on Paper

Size: 31.5 W x 7.1 H x 0.1 D in

Ships in a Crate

$450

Shipping included

Trustpilot Score

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Photograph of staged setups of architectural elements. High quality inkjet print on photo paper

Year Created:

2014

Subject:
Medium:

Photography, Digital on Paper

Rarity:

Limited Edition of 1

Size:

31.5 W x 7.1 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Netherlands.

Need more information?

Need more information?

Gijs Pape My work is based on space. Not just the space you can see but also the suggestion of space and the space you can experience. I started as a painter, for which I used a lot of architecture, abstract versions of reality where only the minimum parts remained with the maximum suggestion of space. In my more recent work I use elements from architecture as building blocks for my sculptures, sculptures that have become more and more three dimensional, but still represent the same principle. I think that it stems from my frustration about all the bustle in our lives. I don’t just mean the busy lives most of us lead, but also the constant stream of traffic and noise and especially the visual bustle. Here in the Netherlands it’s very difficult to find places where you can get away from all these things. When you’re standing in the middle of the moorlands you still see airplanes fly over and you still hear the highway in the distance. There’s no emptiness anywhere, broadly speaking. In my three dimensional work I try to create the ultimate space experience with as little as possible. Of course I haven’t completely succeeded yet, otherwise I’d be finished now. You can look at my work as the expression form of something conceptual, in a way this is the research. I sometimes hear from people who are looking at my work that they’re curious to see whether there’s something behind it, literally, and that the work suggests that you can look through it to something else. When I hear that, I think, well, I’m not the only one who understands it and that’s great to know. The work has to compel the viewer in its simplicity to make a next step in his or her head; it should make you think or fantasize, and I think that’s also the power of abstraction. Gijs Pape

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