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Sunflower (Series 1) - Limited Edition 1 of 15 Photograph

Scott Weaver

United States

Photography, Digital on Paper

Size: 19 W x 24 H x 0.1 D in

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About The Artwork

This is a limited edition of signed and numbered 19" x 24" prints. The printed area is 11.4" x 17". A Certificate of Authenticity is included. These are printed on exquisite100% cotton fine art paper using the highest quality archival pigment inks. I'd attended a birthday reception for a friend who is known for her lovely garden. She had raised especially impressive sunflowers that summer, and one of them had been cut and was hanging in a window. As soon as I entered this room my eye was drawn to this striking object of nature, and immediately I knew I had to photograph it! The dried leaves were very brittle and fragile so great care was required to get it to my studio. I marveled at the delicacy of the these leaves, covered with delineated veins and very fine hairs. The folding of the leaves looked remarkably like fine art paper. The massive head of this sunflower with its hundreds of seeds seemed like some magical crown. Nature had formed them into marvelous rows and and patterns. I photographed this marvelous object many ways against several backgrounds. The background in this photo is handmade oat paper. I love its soft texture and the dark flecks embedded in it, and it has a natural warmth to it, just like the sunflower itself! A note about these prints: the paper surface is delicate and should be handled with care. A pair of cotton gloves is included with the print. It is best handled by your professional framer.

Details & Dimensions

Photography:Digital on Paper

Artist Produced Limited Edition of:1

Size:19 W x 24 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I've had strong artistic inclinations from an early age. Music has been one of my great pursuits thru my university days. At that time my interest in photography began. My first B&W photos were still life attempts and night time shots of architecture at UNM. Years later I became interested in exploring studio photography of objects, then began working with people. Photographing the human form was of great interest to me and I began selling cards featuring my photographs almost as soon as I began this genre. Two years later I was offered a solo exhibition of this work, which was greeted with acclaim. That same year, 1994, I began my career as a full-time photographer and that has been my occupation since. I have continued to include fine art work along with my commercial endeavors, just as the artists of the middle ages, Renaissance, Baroque, Classical, and Romantic periods did.In fact, most of these artists would not have made a distinction between the two. In my fine art work with objects and the landscape I am interested in the passage of time, of being and existence. Many of my still lifes could be called 'Zen' images, a term I am attracted to. With my landscapes I tend to respond to starkness more than color and lushness. This suits the area I have lived most of my life: the high desert environment of New Mexico. I also enjoy creating photo montages, often incorporating multiple images as a sequence or other sort of relationship. With my still lifes I have often photographed objects that have faded, or are completely dried up. They have not lost their beauty and interest for me, or even their 'life', but still contain powerful spirits in themselves.

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