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TAXONOMY I - Stag Beetle (Large Size) #3 of 10 Photograph

Anna Church

Canada

Photography, Black & White on Paper

Size: 36 W x 48 H x 0.1 D in

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816 Views
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About The Artwork

ADDITIONAL UNFRAMED SIZES & EDITIONS SMALL - 14.5” x 19.5” (edition of 25) MEDIUM - 21.5” x 29.5” (edition of 20) LARGE - 28.5” x 36.5” (edition of 12) MURAL - 36” x 48” (edition of 10) Sculpting from the remnants of decorative 19th C. mirror frames, mouldings, wall sconces and Victorian cast Iron obscurities, Church takes the notion of an almost uncomfortable and untouchable beetle and turns it into a thing of extraordinary tactile, architectural beauty. The Stag Beetle is one of the most spectacular of their genus, so named because the male’s oversized jaws resemble the antlers of a deer. As well as being one of the largest beetles, it is sadly one of the rarest. Used for both decorative appeal (think Art Nouveau jewellery of the 1900’s), amulets and in shamanic symbolism for its auspicious qualities, this trophy of sorts may not be around for much longer. "In this series I delve into memories of childhood trips to museums when I would make a beeline for the Open Study specimen drawers. Shiny beetles, magnificent butterflies and giant moths from around the world were all there with their taxonomic classifications for me to marvel at." - Anna. Limited Edition Each print is created with care using archival paper and superior inks. These materials are tested to last a life time.

Details & Dimensions

Photography:Black & White on Paper

Original:One-of-a-kind Artwork

Size:36 W x 48 H x 0.1 D in

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Anna's artistic practice blends an alchemy of materials and mediums, employing painting, arranging, and sculpting to convey her chosen thesis. Her photographic works flirt with a painterly realism, leaving viewers inquisitive about whether they are witnessing a painting or a photograph. This dynamic interplay captivates observers, encouraging them to linger and provoke closer inspection. Utilizing the photographic medium, Anna captures the expressions of her tactile, three-dimensional creations and assemblages to a two dimensional viewing platform. Distilling her art into magnified photographic forms, yielding limited-edition fine art prints. "Experimenting with diverse materials allows me to convey the thesis I wish to explore. It enables me to develop new concepts without confining my ideas to a singular style. I enjoy creatively challenging myself and pushing boundaries with each new collection, and using materials beyond their original intended purpose. Through my experimentation process of painting, arranging, sculpting, failing and failing better approach I reach a desired outcome”. Having a physical connection to the materials is crucial for Anna. She values the tactile experience of sculpting, finding that it offers resistance and presents obstacles that help foster her creativity within the limitations and handling her chosen materials. "Everything I create is impermanent, much like a photograph captures a moment in time. I relish the building and witnessing the work unfold into something other during my process. Nothing is meticulously planned in advance; I begin, and my work reflects the ever-changing reality of my immediate materials, environment and thoughts. I deliberately allow structures to almost unconsciously form, merge, and compose themselves into their eventual becoming." She finds inspiration in creating artworks that offer immediate visual enjoyment but also deepen in meaning upon ongoing introspection. Her pieces possess a surrealist approach, and maintain an ease that makes them adaptable for various decor styles and environments. "It's gratifying to know that my artwork resides in and is cherished in beautiful homes, public spaces and hotels worldwide. In an age of sensory inundation, the visuals that surround you should bring joy, create fulfilling vistas in your environment, materialize aesthetic self-expression, and nurture your visual well-being.

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