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Tempus non fugit Photograph - Limited Edition of 1

Massimo Battista

Italy

Photography, Digital on Other

Size: 28.3 W x 18.9 H x 0.4 D in

Ships in a Crate

This artwork is not for sale.

501 Views

1

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The eye is exhausted, fatigued. It has seen so much already. The human eye does no longer concentrate on the image. It moves quickly and only lets in a trace that is stashed in the memory, no more than that. The eye has no memory. The details are no longer necessary to explain the whole. Millions of...

Year Created:

2013

Subject:
Mediums:

Photography, Digital on Other

Rarity:

Limited Edition of 1

Size:

28.3 W x 18.9 H x 0.4 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

I graduated from the faculty of Art, Music and Show Disciplines (D.A.M.S) in Trieste, Italy focusing in dramaturgy with a thesis on J.M. Barrie's theatrical works. A passion for theater and the visual aspects of the art inspired further studies in the Advanced Training Course in Stage Photography, supervised by Silvia Lelli and Roberto Massotti, the official photographers of the Teatro alla Scala opera house in Milan from 1979 to 1996. During this time I developed many skills and areas of knowledge relating to theatre photography, from the history of dance and the current state of Italian theater to many facets of photography from it's historic background to image processing, post-production, darkroom and printing techniques. I have also taken a keen interest in the management and preservation of photographic archives for theaters. Highlights of my career include photographic work with Rossetti Theater in Trieste in the mise-en- scene of stage shows featuring Anna Maria Castelli, Luciano Pasini and Antonio Calenda. My portfolio includes photographs of the Bolshoi corps de ballet in Parma, the grand opera Manon Lescaut in Piacenza, the concert Koiné 2010 under the artistic direction of Ivan Fedeleat at Theater of Milan in Dal Verme , the Bergamo Jazz festival, and "Canto la storia dell'astuto Ulisse" in the Piccolo Theater of Milan. I also photographed Torino at the Gobetti Theater, the staging of the Boheme by Francesco Micheli at the Fenice Theater in Venice, and shows with the Cambusa Theater in Switzerland as well as the corps de ballet Martha Graham Company from New York in Giuseppe Verdi Theater in Trieste. My photographs have been published in trade journals such as Musical, Hystrio, Memo Magazzini Culturali and are featured in the portfolios of the actors and dancers I have worked with. I use photography as a means of opening the theater doors to reach out to people, the audience, by capturing the actors' energy and authors' messages in his images. My style and methods are summarized by an inspirational quote by famed photographer, Ansel Adams: "I always thought good photos were like good jokes. If you have to explain it, it just isn't that good." Exploring the artistry of the photographic medium, I have chosen an unusual path. Working in printing analog and instant photography, I achieved creative expression without the options of post production work nor serial duplication through an immediately viewable image.

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