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The Lonely body (Liquid Forms, London 2022) Photograph - Limited Edition of 50

Carla Cuomo

United Kingdom

Photography, Black & White on Other

Size: 11.8 W x 18.5 H x 0.4 D in

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$280

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About The Artwork

Fine Art Photography piece, shot in London in 2017, with a 35mm black and white film. It is part of my ongoing project titled 'The Lonely Body' where I embody the female body as an ideal, symbolic and poetic vehicle form of expression. In this project, I like to question the idea of nudity and investigate the shape of the body within the space, the forms that can change the perception of the body itself. I am looking at how the shape of the body and the position of the elements together can create a different narrative and go beyond the nude body itself. The idea of looking at the way the body appears transforms itself into a land of pure lines and forms. This project became for me a cathartic experience whereby the process of discovering my body took me to realise the tension and the pressure that society exercises on us on a daily basis. Nudity in itself became a way of leaving fear behind and elevating the body itself to a different level. Looking and interpreting the body as a pure appearance and as a pure image alone. All works are shot by myself and created on set in different cities and I work with both analogue and digital cameras. I am Inspired by neoclassicism, nude photography and the 'Provoke movement, Japanese photography, feminist work and abstract art. I use my body to take self-portraits and experiment with light.

Details & Dimensions

Photography:Black & White on Other

Artist Produced Limited Edition of:50

Size:11.8 W x 18.5 H x 0.4 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Italian artist based currently in London. Her artistic practice investigates and questions the persuasive power of the image and of the visual language. Her body of work incorporates intimate yet universal experiences such as loneliness, abandonment, fear for emotional nakedness and failure. In touching on these topics, she aims to create a collision between opposite languages: the unreal and the imaginary, the document and the oneiric, the personal memory and the collective, aiming to trigger reactions by invoking primal and visceral emotions. She employs the photographic medium to create visual access to the many different readings of existence. Her work often addresses elements of sexuality, mysticism, body language and nature, to create a tense narrative that provokes and relives at the same time.

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