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"The mirage of time" Photograph - Limited Edition of 3

Salva Nebot

Spain

Photography, Black & White on Paper

Size: 30.3 W x 40.2 H x 0.1 D in

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$2,100

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ABOUT THE ARTWORK

Obra perteneciente al Proyecto “Recuerdos del olvido”. Este es un proyecto fotográfico abstracto en blanco y negro que explora la complejidad y el impacto emocional de la enfermedad del Alzheimer. A través de una serie de imágenes cuidadosamente compuestas, el proyecto busca capturar la esencia efímera de los recuerdos y la progresiva desconexión de la realidad que caracteriza esta enfermedad neurodegenerativa. El uso del blanco y negro es fundamental en este proyecto, pues refleja la pérdida gradual de matices y la simplificación de la realidad que experimentan los pacientes con Alzheimer. Las sombras y los contrastes marcados simbolizan los fragmentos de memoria que se desvanecen y los momentos de claridad que emergen fugazmente, solo para ser devorados nuevamente por la oscuridad. Cada fotografía es una metáfora visual de la desintegración mental, utilizando formas difusas, desenfoques intencionales y superposiciones de texturas para crear una sensación de confusión y desorientación. Las imágenes se presentan como fragmentos de un todo, incompletas, a veces rotas, imitando la fragmentación de la memoria en aquellos que padecen Alzheimer. Impreso en papel "Museum" RAG Photo Etching de 310 gr., 100% algodón, libre de ácido y sin blanqueadores ópticos. Obra única con sello de golpe seco que garantiza la autenticidad así como firmada por la parte delantera y trasera.

DETAILS AND DIMENSIONS
Photography:

Black & White on Paper

Artist Produced Limited Edition of:

3

Size:

30.3 W x 40.2 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Photography is the fundamental basis of my work, both in traditional photography and in interpreting and investigating other pictorial techniques. Basically, most of my work is done in black and white, using different supports, paper, wood, cardboard, fabrics, etc,... I use photographic emulsion on wooden supports as well as transfer and acrylics. My way of seeing photography is to unify the photographic technique with the plasticity of matter and paint, it is my challenge. As is the case of my latest works where the use of the chromatic masses of the photographs are transformed into compositions of geometric abstraction, much more plastic.

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