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Thistle Composition Photograph

Karen Firmin

United Kingdom

Photography, Photogram on Paper

Size: 16 W x 12 H x 0.1 D in

Ships in a Box

$216

Shipping included

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Inspired by the works of Anna Atkins, a British Botanist in the late 19th century, cyanotype prints produce a beautiful dark blue by exposing a chemical solution on paper to sunlight. Plants are laid directly on top of the solution creating shapely photogram style blue prints. The outcomes of every ...

Year Created:

2023

Subject:
Mediums:

Photography, Photogram on Paper

Rarity:

One-of-a-kind Artwork

Size:

16 W x 12 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

My inspiration is rooted in the natural world—its shifting forms, evolving colours, and continual rhythms of growth. I travel often, absorbing new environments through watercolour, sketching, and photography, gathering visual impressions to carry back to my overcrowded corner just outside London. Cyanotype printing has become one of my most addictive processes. I’m drawn to the simplicity of photogram-style compositions, often echoing the botanical silhouettes embraced by Anna Atkins (British Botanist, 1799–1871). Yet my deepest engagement lies in crafting hand-drawn negatives and layering exposures, experimenting with bleaching and colour to push the medium’s boundaries. I often incorporate pigments gathered and mixed onsite, bridging a tangible connection between land and human, destination and home.

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