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United Kingdom
Photography, C-type on Paper
Size: 78.7 W x 94.5 H x 0.8 D in
Ships in a Crate
Shipping included
Artist Recognition
Showed at the The Other Art Fair
Artist featured in a collection
Torsion is a 3 panel C type photographic image, printed on Fuji metallic paper, and Diasec mounted between clear Plexiglass and DiBond. .. There’s an opportunity with digital tools to re-edit and re-process existing material, so around the time I drew Torsion, I was experimenting with the idea of multiply processing new drawings in a sequential or linear series, as opposed to a parallel process. Effectively creating an original study, and then using that as the basis for the next study, but taking it in a new direction, with each new sequence in the process adding a new twist, or complexity, to the work. I’d been reading about psychedelic typography, and the amazing Sister who had come up with the beautifully simple idea of painting her typographic forms onto rubber balloons, before blowing them up and then photographing the newly distorted typography to make her psychedelic poster art. Torsion effectively steals that idea, although I feel that it’s an idea that has come in from more than just one source. The idea for the drawing comes from a number of places, certainly natural forms like wheat or barley, but also from the modernist sculptural work of Walter Leblanc, and his idea that if you heat up a thin rectangular bar of steel, and torque one end through a number of rotations, whilst clamping the other end firmly, the resulting form will be a hugely satisfying candy twist of metal. So it is with Torsion, rectangular columns of individually tessellated components, each one containing a unique interior glazed detail, are partially torqued to form the final image. I made the final editions in a deep indigo glaze, and a silvery white variation, and in their larger REZ versions, the works tend to be cut into three equal panels, which I hope emphasises the sculptural nature of the drawings on the wall.
Multi-paneled Photography:C-type on Paper
Artist Produced Limited Edition of:4
Size:78.7 W x 94.5 H x 0.8 D in
Number of Panels:2
Frame:Other
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Chuck Elliott (b. 1967, London) is a pioneer of digitally generated art. He claims to have used the first Apple Macintosh imported to the UK in 1984, the same year Apple launched the computers, with their now infamous Orwellian advertising campaign. Acquiring his own machine in 1989, he has been drawing, sculpting, editing and compositing digitally ever since. Graduating in 1992, he founded a succession of small, successful studios in London. In 2005 he moved to Bristol, where he now works full time on his sublime, fluid studies in light, colour, motion and liquid geometry. Delighting in the machines' ability to hone and craft sculptural drawings, render, edit, mix, cut, paste, sculpt, and re edit, colour spaces are manipulated, light levels finely tuned, and a myriad of images and series of derivations are produced, using processes analogous to the way in which modern music is realised. Chuck Elliott is reinterpreting the essence of abstract fine art print making for the digital age. Pure logical progression.
Handpicked to show at The Other Art Fair presented by Saatchi Art in London
Artist featured by Saatchi Art in a collection
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