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Tumbleweed (Series 2) - Limited Edition 2 of 30 Photograph

Scott Weaver

United States

Photography, Color on Paper

Size: 15 W x 15 H x 0.1 D in

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About The Artwork

This is a limited edition of signed and numbered 15" x 15" prints. A Certificate of Authenticity is included. These are printed on exquisite Hahnemuhle William Turner fine art paper using the highest quality archival pigment inks. I began my Desert Objects two decades ago when I photographed deer antlers in the studio against a white background. I immediately loved the clean graphic look of the photo, launching a series that has continued over many years. Tumbleweeds are, of course, very common and even synonymous with the southwest, but are usually thought of as nothing more than an annoyance. But they can have a quality of beauty, and even reveal spirituality. The Desert Object Series is inherently a Zen study. Creating this photograph was a process that took several weeks: locating the tumbleweed I needed (searching the desert), working out how to light it in the studio, and then considering the aesthetics of how to portray it. Technically there was a trick to pulling off the lighting of this shot, which I reveal to few people every now and then. I love the inherent spirituality of this image, and the simplicity within its complexity. A further note about these prints: the paper surface of these prints is delicate and must be handled with care. It is recommended that it be handled by your professional framer.

Details & Dimensions

Photography:Color on Paper

Artist Produced Limited Edition of:1

Size:15 W x 15 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I've had strong artistic inclinations from an early age. Music has been one of my great pursuits thru my university days. At that time my interest in photography began. My first B&W photos were still life attempts and night time shots of architecture at UNM. Years later I became interested in exploring studio photography of objects, then began working with people. Photographing the human form was of great interest to me and I began selling cards featuring my photographs almost as soon as I began this genre. Two years later I was offered a solo exhibition of this work, which was greeted with acclaim. That same year, 1994, I began my career as a full-time photographer and that has been my occupation since. I have continued to include fine art work along with my commercial endeavors, just as the artists of the middle ages, Renaissance, Baroque, Classical, and Romantic periods did.In fact, most of these artists would not have made a distinction between the two. In my fine art work with objects and the landscape I am interested in the passage of time, of being and existence. Many of my still lifes could be called 'Zen' images, a term I am attracted to. With my landscapes I tend to respond to starkness more than color and lushness. This suits the area I have lived most of my life: the high desert environment of New Mexico. I also enjoy creating photo montages, often incorporating multiple images as a sequence or other sort of relationship. With my still lifes I have often photographed objects that have faded, or are completely dried up. They have not lost their beauty and interest for me, or even their 'life', but still contain powerful spirits in themselves.

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