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Photography, Digital on Paper
Size: 36 W x 24 H x 0.1 D in
Ships in a Tube
$420
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ABOUT THE ARTWORK
Val d’Orcia #19 This image is part of a series of 11 photographs capturing the landscape of southern Tuscan countryside in the area of Val d’Orcia, near Pienza, during the early summer of 2017. Standing on a newly harvested field, the viewer is enveloped in the aroma of freshly cut wheat stalks - neatly rolled up in perfect bales, while the early morning dew is carried on the gentle breeze over the rolling hills, that endlessly stretch beyond the horizon. _________________________ FINE ART PRINT DETAILS: ‘Val d’Orcia #19’ photograph comes in a limited edition of 20 prints + 1AP. It is printed on the fine art Hahnemühle Pearl paper in weight of 285/gsm and it has a natural white color with a satin/pearl smooth texture. Each image is expertly printed as a giclée using 11 inks in high resolution of 2880x1440 DPI and it has an archival life of 80 years. Each fine art print is hand signed by the artist, Tatiana Kuzyk and is delivered with a signed and dated certificate of authenticity bearing a numbered hologram and a matching hologram is attached to the back of the print to protect the artwork against forgery. DIMENSIONS: 36x24 inches (914x610mm) There is a white 0.5inch (13mm) boarder on all sides of the print for ease of mounting and framing. ________________________________
Original Created:
2017
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DETAILS AND DIMENSIONS
Photography:
Digital on Paper
Artist Produced Limited Edition of:
20
Size:
36 W x 24 H x 0.1 D in
Frame:
Not Framed
Ready to Hang:
Not applicable
Packaging:
Ships Rolled in a Tube
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Switzerland.
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Tatiana Johnson
Switzerland
ARTIST STATEMENT As an artist, I view myself as a surveyor of liminal topographies. At the heart of my practice is an associative process that’s inherently autobiographical and is continuously propelled by my subjective sensations. I mine the raw materials for my works from both the quotidian and threads of memory. And thus, time and space are ongoing protagonists in my artistic inquiries. Liminal space is an unnerving ‘w/holy ground’ of epistemological reckoning that can be denoted - within physical, mental, or emotional contexts - as an ‘in-between- space/state’ of disorientation and ambiguity. Liminality can be experienced whenever a referent is temporarily obscured or removed from a familiar context. Liminality, with its multifaceted disguises, constitutes the thematic focus of my art practice. Topography is defined as a process of mapping – creating visual representations - of specific characteristics pertaining to an environment or structural entity. It is this sculptural aspect of my practice that incites my intent probing of materiality within traditionally atypical mediums of photography and text. The resulting works contemplate on liminal dimensions of a contemporary human experience.
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