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Photography, Black & White on Paper
Size: 15.4 W x 19 H x 0.1 D in
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73 Views
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Three years ago whilst walking on a beach in Oido, South Korea I noticed the amount of fishing rubbish there was scattered all over. Plastic bait, nets, floats and hooks. Amongst all of this was a dead baby porpoise entangled in a fishing net. It saddened me that the selfie loving couple were oblivious to whats below there should height. I collected the porpoise and as much as I could put into an Ikea bag that was in the boot of my car. When I arrived home I put the porpoise into a large container of earth that I usually use for my plants and the rest I kept in storage in my studio. After about two years I checked on the porpoise and found that although the container was closed the bugs had stripped it clean leaving mostly the bones. I bought a canvas and started to paint a seascape in the hope I can use the cetaceans somewhere in the shoot. After a few months moving back and forth from the canvas I was ready to shoot. The hardest part was putting the porpoise back together again. I was amazed at how this little frame worked. In between each vertebrae was a disk, and each disc had code that would fit perfectly into the bone. I found it quite relaxing putting this little fella together. The hardest part were the ribs, I had no idea which went where, and sorry to the porpoise, Im sure I did a terrible job. I named my photograph "Vaquita's flight' after I read the article about the Vaquita porpoise almost becoming extinct due to the Chinese and cartels fishing for the totoaba fish due to the "belief" that the swim bladder of this fish has "medicinal" value in traditional medicine. This photograph is number 1/10. As each photograph is manipulated and toned separately after each print is made, not one print is the same as the other, making each print unique. Vaquita's flight. Toned silver gelatin hand print of warm tone semi matt fibre paper.
2024
Black & White on Paper
One-of-a-kind Artwork
15.4 W x 19 H x 0.1 D in
Not applicable
No
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South Korea.
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Paul Gadd is a British photographer living and working from Seoul, South Korea. His photography began whilst he was studying fine art at the Epsom School of Art in the UK, when he had to photograph some of his sculptures because they were too big to move. Intrigued, Paul decided to switch his focus and acquired a BA in Photography in the Arts at Swansea Metropolitan University. When he graduated in 1997, Paul entered the Young Catwalk Photographer of the Year competition organised jointly by The Independent newspaper and Clothes Show Live and placed second out of 2,500 entrants. He was then offered a job by the legendary catwalk photographer Chris Moore and worked with him shooting fashion shows for the next four years. Keen to explore other fields, Paul turned freelance and moved to Asia, where he began concentrating on fashion and portrait photography and participating in solo and joint exhibitions. After a few years of working with fashion magazines and shooting more commercial work, he turned his interest back to film photography. Since then his commercial career has focused mainly on documentary shoots for magazines. In 2011 Paul jointly run a photography studio and gallery in Kuala Lumpur, Malaysia called The Print Room. Here he would teach the traditional methods of film photography and darkroom printing, also curating exhibitions for professional and the small community of emerging photographers that The Print Room has created. His work—whether in colour or in black and white—can range from the dark to the humorous, but it always includes a personal dimension, whether it’s his experiences or perspective on world issues. In 2020 during the covid pandemic The Print Room in Malaysia closed its doors. Paul then moved to Seoul South Korea where he spent two years renovating a new space to work, teach and exhibit. In 2023, The Print Room (South Korea) opened it's doors. Paul's photographs are manipulated by scratching or toning the negatives, adding different mediums during hand-printing, then bleaching, toning and encaustic on the final stage. Though his works are in editions, each photograph is an original.
Handpicked to show at The Other Art Fair presented by Saatchi Art in London, London, London, London
Artist featured by Saatchi Art in a collection
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