View In A Room
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VIEW IN MY ROOM
VIEW IN MY ROOM
Size: 27.6 W x 27.6 H x 1.2 D in
Ships in a Crate
Artist featured in a collection
Featured in the Catalog
Showed at the The Other Art Fair
So often it happens that fire escapes on the outside of buildings catch my attention. Later on in my studio, they also invite me to creatively play with them. This one was captured in Enschede, a town in the East of the Netherlands. I turned the construction of round shapes and metal steps into a whirling ballet of rhythm and motion. This is a ready to hang artwork. It is a photographic print on high quality paper behind plexiglass (Diasec) in museum quality finish. The plexiglass provides remarkable depth and brilliance to the art work. For extra stability it has an aluminum Dibond backpanel and a hidden wall mount frame. Medium size limited edition of 8, personally signed and certified. The same work is also available in two additional sizes (contact to have it made available on Saatchi Art): Large: 120 x 120 cm / 47 x 47 inches (print behind plexiglass) Small size: Image size is 45 x 45 cm / 17.7 x 17.7 inches (Pigment print on photographic paper)
Photography Print:Color on Aluminium
Artist Produced Limited Edition of:8
Size:27.6 W x 27.6 H x 1.2 D in
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Artist's studio in Netherlands.
Paul Brouns (1967) is a photographing artist living near Amsterdam. Observing the urban world, he is attracted by the abstract, rhythmic poetry of buildings. Available in limited editions, his work has been exhibited worldwide and sold to collectors, ranging from Tokyo, Seoul and New Delhi, to New York, London and Amsterdam. In the series "Urban Tapestries" façades are captured frontally, filling the entire composition. Because of their simplicity and shallow depth, attention is drawn to rhythm, colour and light on the surfaces. Its counterpart is the "Perspective Play" series. In these works visual depth and converging lines of perspective are used to fill the image plane with repeating elements. In both series sometimes photographic images are manipulated. Expanded surfaces and enhanced feelings of scale give the work a hypnotic attraction.
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