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"White Dress" Photograph - Limited Edition of 5

Atenea Orihuela, Mexico

Photography, Giclée on Paper

16.5 W x 23.4 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$354

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Captured at the Dior Gallery in Paris during the 2024 Olympic Games, this analog photograph records a rare convergence of fashion, architecture, and collective attention. Rather than portraying the exhibition itself, the image isolates a suspended dress as a spectral presence, fractured by reflectio...

Year Created:

2024

Subject:
Mediums:

Photography, Giclée on Paper

Rarity:

Limited Edition of 5

Size:

16.5 W x 23.4 H x 0.4 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Mexico.

Customs:

Shipments from Mexico may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Atenea Orihuela Tenorio is a multidisciplinary artist whose practice moves between photography, collage, and ceramics. Her work explores memory, materiality, and the quiet narratives embedded in places, objects, and gestures. Through a contemplative visual language, she investigates how history—both personal and collective—lingers within landscapes and constructed forms. Her images privilege structure, light, and silence over spectacle, transforming documented spaces into timeless, introspective compositions. These photographs function less as records of place and more as meditations on presence, absence, and scale. Alongside photography, her collage practice allows for a more fragmented approach to storytelling, layering images, textures, and references to recompose meaning. This interest in assemblage and narrative continuity extends into her work as a ceramist, where clay becomes both medium and archive. Her ceramic pieces are conceived as intimate objects—often sculptural, sometimes symbolic—carrying traces of time, touch, and ritual. Across disciplines, her work reflects a consistent concern with permanence and fragility, with making as an act of preservation. Whether through the lens, paper, or clay, her practice seeks to create objects and images that feel discovered rather than produced—quiet artifacts that invite prolonged looking and personal interpretation.

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Curator - Erin Remington

Erin Remington, Curatorial Director