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blue toile billabong Photograph

Jennifer Bell

Australia

Photography, Color on Paper

Size: 10.8 W x 10.8 H x 0.1 D in

Ships in a Crate

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Originally listed for $290
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About The Artwork

This blue toned landscape has been mixed with a variation of the same scene covered with a lacy pattern by weaving the two image together to create a picture a little reminiscent of toile fabirc. Toile was a decorative pattern usually consisting of a single color from the mid-18th century, usually depicting a landscape or pastoral theme. I grew up surrounded by chintz patterns like toile, and my toile works are somewhat a reference to moving to a new country. People bring their own culture, history, their families hand me down fabrics and Grandma's good china with them, to a new home. Details ♥ photos professionally printed with archival inks ♥ weave measures approximately 27.5x27.5cm About my work These highly patterned works explore the way we physically view our environment and the idea that not everyone sees things in the same way. I realised in my early twenties that the fine veil of dancing, colourful dots I see over everything and had grown up with, is a view of the world not perceived by everyone. This is my experience I want to share; perhaps you see something similar or maybe it looks alien and unfamiliar. But no matter how we see the world, pattern exists all around us both man-made and naturally occurring; from the beauty and complexity of fractals in nature to the printed fabric of your clothing. Even on the calmest day and in the simplest of environments, our surroundings that may at first seem static and plain; are full of movement and decoration.

Details & Dimensions

Photography:Color on Paper

Original:One-of-a-kind Artwork

Size:10.8 W x 10.8 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Jennifer Bell is an Australian contemporary artist known for her highly decorative paintings and paper weavings. Her intricate work explores pattern and visual perception often highlighting the beauty in the ordinary. Jennifer's work is influenced largely by her experience of a little known neuro-ophthalmologcal condition which means she sees patterned dots in her visual field, continuously. These dots appear as a fine veil of dancing, kaleidoscopic colour that can never be turned off. Even on the calmest day and in the simplest of environments, surroundings that may seem static and plain to others are full of movement and decoration. Jennifer shares this unique experience of the world through her art. It has been suggested in recent years as more becomes known of the condition that artists such as Georges Seurat, the pioneer of pointillism, Van Gogh and Yayoi Kusama famous for her dots, may also have experienced the symptoms of visual snow disorder. It may be a view not perceived by everyone, but no matter how we see the world, pattern still exists all around us both man-made and naturally occurring; from the beauty and complexity of fractals in nature to the printed fabric of your clothing. Jennifer’s artwork often incorporates recycled materials and images of discarded and decayed objects emphasising that pattern and beauty can be found in everyday things. Understanding that beauty exists in the imperfect. During four years spent in New Zealand she ran her own gallery in the picturesque Wellington suburb of Island Bay. Today she works a full time independent artist from her sunny studio and her work is represented in private collections throughout Australia, New Zealand, North America, Europe, The Middle East and Asia.

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