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View In My Room

flesh Photograph - Limited Edition of 1

Fabrice Millet

United Kingdom

Photography, Digital on Other

Size: 30 W x 24 H x 1 D in

Ships in a Crate

This artwork is not for sale.

370 Views

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

part of the ongoing flesh series, this image examine in details our own body stripped of its mystic. lumps of flesh, warts, cuts.

Year Created:

2011

Subject:
Styles:
Mediums:

Photography, Digital on Other

Rarity:

Limited Edition of 1

Size:

30 W x 24 H x 1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

I am a visual artist who works mainly with photos, videos and occasionally prints. After completing a degree in Archeology from the university of Nice in France, I worked as a journalist in Paris before moving to the Uk and completing a master in Visual Communication from Birmingham. City University. My work scratches the human itch to make narratives. I present the viewer with elements of a story - a flat pack of component parts - and challenge them to assemble things. I take the viewer to spaces at the edge of our perception where things appear in a state of flux. Desolate, architectural nightscapes, moth-eaten urban structures: places that are waiting. Drawing from ancient history, and classical and modern literature, I put facts and fiction on show, like circus exhibits. Presenting the familiar a few degrees off where it should be. Exotic creatures in domestic settings; succulent micro-landscapes; a picnic spot overlooking the abyss. These are postcards of the uncanny. I invite the viewer to construct their own stories, withholding any narrative conclusion and sending them back to confront their calculations. Once upon a time . . . once upon a time . . . ad infinitum.

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