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kyoto palace staircase - Limited Edition 1 of 10 Photograph

André Guelman

United States

Photography, Color on Paper

Size: 40 W x 30 H x 0.1 D in

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About The Artwork

One of the things I like the most about photography is to take something out of its original context so that it can become, in two dimensions, its own composition. The red, wood and white staircase offered a beautiful look when I saw it in Kyoto. It clearly has the characteristics of Japanese architecture and now that it is detached really holds on its own. Photography: Color on Paper. Printed on very high quality thick Canson Paper. Front:Signed with the edition number on the mount in pencil. Reverso: Signed, dated and inscribed with title. Matted & Mounted 37 x 47 in

Details & Dimensions

Photography:Color on Paper

Artist Produced Limited Edition of:1

Size:40 W x 30 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I started photography in the 80’s, learning from my father, an architect. I carried his heavy Nikon around, learned the technical principles and the fundamentals of perspectives and compositions. I returned to photography in the 2000’s, now as a practicing physician. At first, photography and art may seem contradictory or even a diversion from a demanding profession. That misses a great commonality between the two: medicine and photography are both arts informed by science and technology. A knowledgeable and competent physician can miss the greater picture of understanding the person behind the patient as easily as a photographer with in-depth understanding of techniques can miss the moment or the composition. In candor, mastering both arts are the quest of a whole life. All photographers seek to capture the essence of a location, of a subject, of a moment. Physicians chasing an elusive diagnosis look for what has not yet been noted, the combination of objective and subjective nuances that, alone, are meaningless but, as a whole, reveal the truth. When photographing I too seek the unseen, the overlooked moments that thousands walk past every day.

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