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Printmaking, Engraving on Wood
Size: 6.7 W x 8.8 H x 1 D in
Ships in a Box
$570
Shipping included
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ABOUT THE ARTWORK
March 2019, A month in Tasmania, Australia. The meeting, rest, solitude, longing, adventure, impression and farewell... In my journey to get artistic inspirations in the nature, I met a special friend, Elizabeth the tree, and I visited her everyday to tell my daily experiences and feelings. The project “The Tree: My Secret Monologue to You”, is my abstract picture diary, which secretly portrays the story with Elizabeth in my own manner, in the form of wooden relief works. The group of abstract but significant shapes, and the scarcely perceptible imagery in it, reflect the irony of my intention that wanting the people to interpret my secret code. By carving my private stories I whispered to the tree on the wood, I convey the memories engraved in Elizabeth the tree through various senses.
Original Created:
2019
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DETAILS AND DIMENSIONS
Printmaking:
Engraving on Wood
Artist Produced Limited Edition of:
3
Size:
6.7 W x 8.8 H x 1 D in
Frame:
Not Framed
Ready to Hang:
Not applicable
Packaging:
Ships in a Box
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
South Korea.
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Hye-Jin Stella Kim
South Korea
Hye-Jin Stella Kim is a young emerging artist, specialised in abstract painting and mixed media, who currently lives and works in Daegu, South Korea. She moved to New York in 2008 to study fine arts and received her B.F.A. in painting at Pratt Institute. She has held group and solo exhibitions since 2012, including “Abstract Mind”, “Memorial” and “Meditation” in Korea, and “Letters from Sapporo” in Japan. My artistic goal is creating visual art everyone can enjoy including the people with visual impairment. I take pictures whenever I find beautiful scenes, and write letters/poems describing my feelings at the moments using lots of visual imageries, so that blind people can draw the scenes in their minds. Then I make reliefs using braille system and photos, in the purpose of being seen differently by the people who can see and who can not. At first sight, they will seem to be abstract reliefs, and when people become blind and touch the works, they might be able to see the real pictures.
Artist Recognition
Artist featured by Saatchi Art in a collection
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