VIEW IN MY ROOM
United States
Printmaking, Etching on Paper
Size: 25.5 W x 21 H x 0.1 D in
Ships in a Tube
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While traveling in Namibia, I fell in love with the desert adapted wildlife, especially the rhinos and elephants. This African country takes protecting its wildlife very seriously. For example, their constitution gives the free roaming wild life constitutional rights. The Namib Desert is the earth's oldest, over 60 million years, and it's one of the driest places with vast uninhabited areas. These amazing creatures have learned to live with very few water resources and limited resources of greenery to eat in a very hot environment. Given climate change, we humans better start thinking about how to survive in extreme heat with limited water. I call this etching "Climate Change" because I love this elephant's expression. He's worried, and rightly so. Recently, Namibia had one of its rarest flash floods, and the elephants had to run for the high ground. They are very aware of the environment and can hear oncoming threats to their safety well in advance. Even in Tsunami's, they run for the high ground well before the waters hit land. I created this etching at Crown Point Press in San Francisco. Using a copper plate, I drew directly on it through a ground, then submerged the plate in an acid bath. Later, I added aquatint and some spit bit to create the clouds and background. The edition of 10 was printed by Master Printers Emily York and Courtney Sennish on Somerset paper. Each print is titled, signed and dated by me.
Printmaking:Etching on Paper
Artist Produced Limited Edition of:10
Size:25.5 W x 21 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Born in Cleveland, Ohio, I have lived all my adult life in Los Angeles, primarily Venice and Santa Monica, where I have my art studio. As a young artist, I frequented the Art Museum and took classes at the Cleveland Institute of Art. CMA had beautiful Cezannes depicting Mt. St. Victoire, paintings that I loved. A few years ago, I spent a month in Aix en Provence, where I visited his studio and walked among the locations where he painted of the mountain and quarries. What a great painter! Much to Zola's bemusement, Cezanne painted St. Victoire for 20 years...the same subject...but always working with underlying geometric forms interacting with color. While I am no Cezanne, I, too, paint the same subjects repeatedly, always seeking to interact shapes and color to create a sense of space and energy. These subjects are inspired by extraordinary visual effects found in nature, usually while traveling: Spectacular Aurora Borealis in Iceland; Fantastic Fairy Circles on the Namibian desert. My Fairy Circles thème recalls another great artist, Sonia Delaunay, who created the first truly abstract painting in 1912. Her pioneering works continued the exploration of interacting colors with geometric shapes (with circles a predominate one). I am an abstract landscape painter using visual cues of relative contrast, overlapping shapes, complementary and derived neutral colors and other elements of perception I first learned from Ed Mieczkowski, one of the pioneers of the Op Art Movement, but I apply paint like an abstract expressionist. Painting technique is very important...I love mixing colors and applying glazes...and I'm very fussy about my brushes and paint consistency. In that sense, I am a traditional painter, not into digitized mixed media, even though I have an extensive background in computer applications. Recently, I have renewed my interest in blockchain technology, and I am fascinated by how NFT's have taken hold in the art world. I have some IP in that area, so I am thinking about venturing into superrare.com spaces. Stay tuned. Another passion is protection of rhinos. I actually went to Namibia to photo rhinos, which I did, and met rhino rangers in the Huab Conservancy. I love these endangered creatures, and I am working on a series of rhino etchings that I call "Cloudwalker". Printmaking is another interest. It requires draftsmanship and technical knowledge, which I have mastered to some degree.
Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles, Los Angeles, Los Angeles, Virtual, Los Angeles
Artist featured by Saatchi Art in a collection
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