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Contraintes et Abandon #10 Abstract Head - Monotype Print - Limited Edition of 1

Pascale Baud

France

Printmaking, Monotype on Paper

Size: 12.6 W x 9.4 H x 0 D in

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About The Artwork

Monotype on Wenzhou paper 35g/m2 + Carré conté blanc (white pastel dry) Very delecate and fragile work. The head is noticeable from afar, but closer you get the more it disappears in the meanders of delicate shapes.

Details & Dimensions

Printmaking:Monotype on Paper

Artist Produced Limited Edition of:1

Size:12.6 W x 9.4 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

For many years I worked without trying to exhibit. There were nevertheless small and "big" exhibitions. Like being selected with a group of friends for a parallel exhibition at the Dokumenta 8 in Kassel in 1987: International exhibition "Gruppenkunstwerk" (collective art work). Then long years with my Daily Geologies (work realized over 12 years on a day-to-day basis), unexhibitable, given the concept itself = each day the "layer" or deposit covers that of the day before - in the end the paper and paint form a block of several dozen centimeters or more. I continued to work, to experiment, to fill in notebooks as if I were filling in a perpetual diary, to wander from one field to another: photography, writing, then to the design of artists' books (where I learned a little about bookbinding). Since a few years with Internet I show my work. Virtual encounters that have led to real exhibitions (UK Polarama), in Australia and also in France. ----------------------------------------- How to define my work? Color? Black & White? Materials? Or simply graphic work evoking sometimes engraving? A game of back and forth between all that. A bipolarity of expression sometimes confusing that can unfold in long spirals of writing to burst elsewhere in another form as the book-objects or even ... So to simplify = I keep 3 words: Writing, Spiral, Weft. ------------------------------------------------ I draw with my eyes closed what I cannot see with my eyes open. PB ------------------------------------------------ ------------------------------------------------ Pendant de longues années j'ai travaillé sans chercher à exposer. Il y a eu malgré tout des petites et "grandes" expos. Comme de se trouver sélectionnée avec un groupe d'amis pour une exposition en parallèle à la Dokumenta 8 à Kassel en 1987 : Exposition internationale "Gruppenkunstwerk" (Oeuvre d'art collective). Puis de longues années avec mes Géologies Quotidiennes (travail réalisé sur 12 ans au jour le jour) in-exposables, étant donné le concept lui-même = chaque jour la "couche" ou le dépôt recouvre celui de la veille - au final le papier et la peinture forment un bloc de plusieurs dizaines de centimètre voire plus. Je continuais à travailler, à expérimenter, à remplir des carnets comme si je remplissais un journal intime perpétuel, à me promener d'un domaine à l'autre: photographie, écriture, puis à la conception de livres d'artistes (où j'ai appris un peu la reliure).

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